一篇关于《哈姆雷特》的英文论文 关于<哈姆雷特>的英文论文
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\u3000\u3000Hamlet and Ophelia, by Dante Gabriel RossettiPrince Hamlet is the main character in Shakespeare's tragedy Hamlet.
\u3000\u3000Views of Hamlet
\u3000\u3000Perhaps the most straightforward view sees Hamlet as seeking truth in order to be certain that he is justified in carrying out the revenge called for by a ghost that claims to be the spirit of his father. The most standard view is that Hamlet is highly indecisive, which is the view as proposed by Coleridge, and a number of other critics. "Shakespeare wished to impress upon us the truth, that action is the chief end to existence". The 1948 movie with Laurence Olivier in the title role is introduced by a voiceover: "This is the tragedy of a man who could not make up his mind."
\u3000\u3000T.S. Eliot offers a similar view of Hamlet's character in his critical essay, "Hamlet and His Problems" (The Sacred Wood: Essays on Poetry and Criticism). He states, "We find Shakespeare's 'Hamlet' not in the action, not in any quotations that we might select, so much as in an unmistakable tone...".
\u3000\u3000Others see Hamlet as a person charged with a duty that he both knows and feels is right, yet is unwilling to carry out. In this view, all of his efforts to satisfy himself of King Claudius' guilt, or his failure to act when he can, are evidence of this unwillingness, and Hamlet berates himself for his inability to carry out his task. After observing a play-actor performing a scene, he notes that the actor was moved to tears in the passion of the story and compares this passion for an ancient Greek character, Hecuba, in light of his own situation:
\u3000\u3000Hamlet reclines next to Ophelia in Edwin Austin Abbey's The Play Scene in Hamlet"O, what a rogue and peasant slave am I!
\u3000\u3000Is it not monstrous that this player here,
\u3000\u3000But in a fiction, in a dream of passion,
\u3000\u3000Could force his soul so to his own conceit
\u3000\u3000That from her working all his visage wan'd;
\u3000\u3000Tears in his eyes, distraction in's aspect,
\u3000\u3000A broken voice, and his whole function suiting
\u3000\u3000With forms to his conceit? And all for nothing!
\u3000\u3000For Hecuba?
\u3000\u3000What's Hecuba to him, or he to Hecuba,
\u3000\u3000That he should weep for her?" [\u2026]
\u3000\u3000Etymology of Hamlet
\u3000\u3000Hamlet\u2019s name is one filled with meaning and controversy. The name Hamlet occurs as early as the tenth century. His name is easily derived in form from Belleforest and the lost play from Amlethus of Saxo, and remaining in this form is then derived from its Latin form of the old Jutish Amlethoe. From this point the name can be divided into sections with common meanings. In terms of etymology the root name of Hamlet is an Icelandic noun, Amlooi, meaning \u2018fool.\u2019 However this name is derived from the way that Hamlet acts in the play and is not in all actuality the true Etymology of the name since the meaning is found through the actions of Hamlet. The second way of translating the name is by analyzing the noun aml-ooi into \u2018raving mad\u2019 and the second half, amla into \u2018routine\u2019. Later these names were incorporated into Irish dialect as Amlodhe. As phonetic laws took their course the name\u2019s spelling changed eventually leaving it as Amlaidhe. This Irish name was given to a hero in a common folk story. The route of this name is \u2018furious, raging, wild.\u2019 These are all meanings of which Shakespeare would have been aware of when deciding on the name for his longest play.[1]
\u3000\u3000Asimov
\u3000\u3000Another view of Hamlet, advanced by Isaac Asimov in his Guide to Shakespeare, holds that his actions are attributable not to indecision, but to multiple motivations: his desire to avenge the wrong done to his father, coupled with his own ambition to succeed to the throne. The tragic error committed by Hamlet, in Asimov's view, is his overreaching wish to see Claudius damned, and not merely dead, which prevents him from killing Claudius at the opportune moment.
\u3000\u3000Influence of the Reformation
\u3000\u3000Marcellus, Horatio, Hamlet, and the Ghost by Henry Fuseli.It has also been suggested that Hamlet's hesitations may also be rooted in the religious beliefs of Shakespeare's time. The Reformation had generated debate about the existence of purgatory (where King Hamlet claims he currently resides). The concept of purgatory is a Catholic one, and was frowned on in Protestant England. It is possible that Hamlet's own logic ought to be taken seriously. Hamlet says that he will not kill his uncle because death would send him straight to heaven, while his father (having died without foreknowledge of his death) is in purgatory doing penance for his. Hamlet's opportunity to kill his uncle comes just after the uncle has supposedly made his peace with God. Hamlet says that he would much rather take a stab at the murderer while he is frolicking in the incestuous sheets, or gambling and drinking, so he could be sure of his going straight to Hell.
\u3000\u3000Freudian interpretation
\u3000\u3000Ernest Jones, following the work of Freud, held that Hamlet suffered from the 'Oedipus complex'. He said in his essay "The Oedipus-Complex as An Explanation of Hamlet's Mystery: A Study in Motive":
\u3000\u3000His moral fate is bound up with his uncle's for good or ill. The call of duty to slay his uncle cannot be obeyed because it links itself with the call of his nature to slay his mother's husband, whether this is the first or the second; the latter call is strongly "repressed," and therefore necessarily the former also.
\u3000\u3000Interestingly, Harold Bloom did a "Shakespearean Criticism" of Freud's work in response.
\u3000\u3000As a mirror of the audience
\u3000\u3000Innokenty Smoktunovsky as Hamlet in the acclaimed 1964 film by Grigori Kozintsev.It has also been suggested that Hamlet, who is described by Ophelia as "th\u2019 expectancy and rose of the fair state, / The glass of fashion and the mould of form" (Act III, Scene i, lines 148-9), is ultimately a reflection of all of the interpretations possessed by other characters in the play\u2014and perhaps also by the members of an audience watching him. Polonius, most obviously, has a habit of misreading his own expectations into Hamlet\u2019s actions ("Still harping on my daughter!"), though many other characters in the play participate in analogous behaviour.
\u3000\u3000Gertrude has a similar tendency to interpret all of her son\u2019s activities as the result of her "o\u2019erhasty marriage" alone. Rosencrantz and Guildenstern tend to find the stalled ambitions of a courtier in their former schoolmate\u2019s behaviour, whereas Claudius seems to be concerned with Hamlet\u2019s motivation only so far as it reveals the degree to which his nephew is a potential threat. Ophelia, like her father, waits in vain for Hamlet to give her signs of affection, and Horatio would have little reason to think that Hamlet was concerned with anything more pressing than the commandment of the ghost. And the First Gravedigger seems to think that Prince Hamlet, like that "whoreson mad fellow\u201d Yorick, is simply insane without any need for explanation. Several critics, including Stephen Booth and William Empson have further investigated the analogous relationship between Hamlet, the play, and its audience.
\u3000\u3000Nevertheless, over the last four centuries Prince Hamlet has become an icon in the entire western consciousness: the definition of what it means to be intelligent, and perhaps, fully human.
\u3000\u3000Hamlet's parallels with other characters
\u3000\u3000One aspect of Hamlet's character is the way in which he reflects other characters, including the play's primary antagonist, Claudius. In the play within a play, for instance, Gonzago, the king, is murdered in the garden by his nephew, Lucianus; although King Hamlet is murdered by his brother, in the Mousetrap , the regicide is a nephew, like Prince Hamlet. However, it is also worth noting that each of the characters in the play-within-a-play maps to two major characters in Hamlet, an instance of the play's many doubles:
\u3000\u3000Lucianus, like Hamlet, is both a regicide and a nephew to the king; like Claudius, he is a regicide that operates by pouring poison into ears.
\u3000\u3000The Player King, like Hamlet, is an erratic melancholic; like King Hamlet, he is poisoned via his ear while reclining in his orchard.
\u3000\u3000The Player Queen, like Ophelia, attends to a character that is "so far from cheer and from [a] former state"; like Gertrude, she remarries a regicide.
\u3000\u3000Hamlet is also, in some form, a reflection of most other characters in the play (or perhaps vice versa):
\u3000\u3000Hamlet, Laertes, Fortinbras and Pyrrhus are all avenging sons. Hamlet and Laertes both blame Claudius for the death of their fathers. Hamlet and Pyrrhus are both seized by inaction at some point in their respective narratives and each avenges his father. Hamlet and Fortinbras both have plans that are thwarted by uncles that are also kings.
\u3000\u3000Hamlet, Rosencrantz, Guildenstern, Osric and Polonius are all courtiers.
\u3000\u3000Hamlet, his father, Bernardo, Marcellus, Francisco, Fortinbras and several other characters are all soldiers.
\u3000\u3000Hamlet and his father share a name (as do Fortinbras and his father).
\u3000\u3000Hamlet, Horatio, Rosencrantz, Guildenstern and Laertes are all students.
\u3000\u3000Hamlet, his father, Gertrude and Claudius are all members of the Royal Family. Each of them is also killed by poison -- poison that Claudius is responsible for.
\u3000\u3000Hamlet and Ophelia are each rebuked by their surviving parent in subsequent scenes; the surviving parent of each happens to be of the opposite gender. Both also enter scenes reading books and there is a contrast between the (possibly) pretend madness of Hamlet and the very real insanity of Ophelia.
\u3000\u3000Hamlet, Horatio, Polonius, Rosencrantz, Guildenstern and Claudius are each "lawful espials" at some point in the play.
Hamlet is a man with contradictory,he had many chances to kill Claudius,but he hesitated,which reflects the religious thought poisons.Hamlet " of Shakespear is a classical representative work.This book certainly does not have the big difference in the superficial plot with the historical fable,spoke or the Danish prince the story which revenged for the father,in which fills the rank smell of blood violence and dies.Just like the dramatis personae Horatio said:" you may hear to to rape massacre,the unusual repair behavior,the dark center decision,accidental slaughter,borrows the hand murder ,as well as falls into suicide result." Windingly elects the plot,tightly centers on the revenge to launch.Hamlet Wittenberg hurries back the home in a hurry from Germany,is attends his father's funeral,enables him to accept,he not catches up with father's funeral,actually witnessed the mother and the Uncle Claudius' wedding ceremony,this had caused Hamm the Wright suspicion at the heart,added night above meets in the royal palace castle with father's ghost,the ghost sorrow sued,this pile atrocity was Uncle Hamlet the behavior,and wanted him to revenge for the father.To this,he started the difficult revenge course,launched the life and death contest with Claudius.Finally,sent out sword the revenge to Claudius
Hamlet is a man with contradictory,he had many chances to kill Claudius,but he hesitated,which reflects the religious thought poisons.To be,or not to be:that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them?To die:to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to,'tis a consummation
Devoutly to be wish'd.To die,to sleep;
To sleep:perchance to dream:ay,there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause:there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong,the proud man's contumely,
The pangs of despised love,the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin?who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns,puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.--Soft you now!
绛旓細7.銆婂搱濮嗛浄鐗广鎴忓墽涓殑鎮插墽鍥犵礌The Tragedy Aspects in Hamlet http://www.qqcate.cn/english-essay-research/The-Tragedy-Aspects-in-Hamlet/8.浠庣數褰便婄編涓戒汉鐢熴嬬湅瀹岀編鐢蜂汉褰㈣薄 About the Perfect Man Viewed from the Movie Life Is Beautiful http://www.qqcate.cn/english-essay-research/About-the-...
绛旓細less than two years and husband dead widowhood. She not only suffer from ground PI rogue powers, and was eventually rulers are killed. Her life is something people miserable true portraiture. Is the role of tragedy for internal conflict, DouE also lack the deep, rich to Hamlet c...
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绛旓細鑻辨枃锛欵rror types in Junior students' oral english and their countermeasures 5,涓枃锛氳瘯璁鸿壘绫宠帀?杩噾妫嚜鐒惰瘲涓殑濂虫ф剰璇 鑻辨枃锛歄n Female Consciousness in Emily Dickinson's Nature Poetry 6,璁烘枃棰樼洰鏄疊inaryOppositionalAnalysisoftheCharacterofHamlet銆婂叧浜庡搱濮嗛浄鐗鍙岄噸鎬ф牸鐨勫垎鏋愩嬨
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绛旓細绡囦簩:鑻辫璁烘枃婕旇绋 my paper is revenge tragedy in english renaissance鈥斺攁bout 銆奾amlet銆 ppt1:... ppt2:... ppt3:... ppt4:next, let`s analyse the relationship between the characters in the drama. this is a relationship diagram. hamlet ,the prince of denmark and also the protagonist...
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