求英文版动漫介绍！！！好的话追加100分！！ 100分 求 好看的电影 或者 动慢 ！ 看下面详细 ↓（好...
\u6c42\u82f1\u6587\u7248\u52a8\u6f2b\u4ecb\u7ecd\uff01\uff01\uff01\u597d\u7684\u8bdd\u8ffd\u52a0100\u5206\uff01\uff01Nana
Ai Yazawa\u2019s work is so distinctive that no one could mistake Nana as being written by anyone else. While the series isn\u2019t perfect, it can be considered to be one of the frontrunners of modern shoujo romance.
I emphasize modern because of how backward and traditional other romance anime seems when compared to Yazawa\u2019s work. While other shoujo series are still mucking about with idealistic conceptions of the One True Love, the feelings of Nana\u2019s characters are much more complex, layered, and believable. Nana is amazing not only for convincing us that its characters love each other, but for convincing us that we know why they love each other.
Yazawa\u2019s writing also reflects a fascinating social awareness that speaks of Japan\u2019s changing society. In the radically different protagonists of Komatsu Nana and Osaki Nana, there is an undercurrent of conflict between the Japanese woman\u2019s traditional dependence and burgeoning independence. While Komatsu seems determined, even destined, to become a housewife, Osaki struggles to forge her own path, even at the expense of love and friendship. Surprisingly, the series does not take sides, but is content to show the inherent limitations of both approaches.
Unfortunately, as great as Nana\u2019s story is, two factors prevent me from recommending this to everyone.
For one, the storyline tends to lean heavily on melodrama, which will no doubt annoy a large portion of potential fans. While a healthy dose of (excellent) comedy prevents the show from ever becoming unbearably angsty, some may have trouble digesting the particularly manipulative plot twists.
Also, Nana\u2019s ending is, for now, nonexistent. Since the Yazawa\u2019s manga is not yet finished, the final episode essentially stops midway through the story. While the producers seem open to a second season,there is a distinct possibility that there will never be an ending to Nana in anime form. Moreover, even if this series is eventually concluded, fans may have to wait several years for this to actually happen.
Still, even with these potential problems, I can\u2019t deny what Nana has managed to achieve: an intelligent, socially aware, and consistently entertaining shoujo romance.
\u52a8\u6f2b\u7684 AIR CLANND \u51fa\u4e91\u6218\u8bb0 \u6700\u7ec8\u5e7b\u60f37\u5723\u5b50\u964d\u4e34 \u7535\u5f71\u7684\u8bdd\u6211\u559c\u6b22\u79d1\u5e7b\u52a8\u4f5c\u7c7b\u7684 \u9b54\u6212\u4e09\u90e8\u66f2 \u7ec8\u7ed3\u8005\u4e09\u90e8 \u6b7b\u795e\u6765\u4e86\u56db\u90e8 \u7b2c\u4e00\u6ef4\u8840\u56db\u90e8 \u6562\u6b7b\u961f \u5e7b\u5f71\u6740\u624b\u827e\u4e3d\u5361 \u6b7b\u4ea1\u98de\u8f66 \u7ec8\u6781\u6597\u58eb\u4e09\u90e8 \u81f4\u547d\u7d2b\u7f57\u5170 \u751f\u5316\u5371\u673a\u4e09\u90e8 \u5fcd\u8005\u523a\u5ba2 \u592a\u591a\u4e86 \u6682\u65f6\u60f3\u5230\u8fd9\u4e48\u591a\u5e0c\u671b\u4f60\u559c\u6b22
One of the most obvious anime "trends" that was established in this time period was the appearance of "mecha" in anime. Mecha, short for "mechanical", is the term used to describe the giant robots and machines that are typical of some anime shown today. Mecha anime has become somewhat of a sub-genre of anime itself and is one of its most common vanguards, and its roots date back to the 1970's.One of the earliest "mecha" types of anime was "Mazinger Z", a creation of artist Go Nagai, who would go on to influence another trend in anime in later years. The story revolved around an evil mad scientist, Dr. Hell, who had found lost robotic technology and used it to build robots of destruction. To counter this, a rival scientist created Mazinger Z, a robot with a plethora of weapons and abilities. Unfortunately, the scientist was killed by the evil Dr. Hell, but not before the scientist's grandson was warned, enabling him to find and pilot the large Mazinger machine. Mazinger Z went on to spawn many episodes and feature films and was one of the most successful of mecha animes. It seemed that giant robot battles were things that drew in viewers in Japan, which explains the later success of live-action series such as Ultraman.
Another convention that began to be used in anime in the 70's was a tweaking of the conventional plot aspects that had become ingrained in anime at its inception a decade or so ago. Aside from the regular "good guy" vs. "bad guy" concept, subtle variations in storyline and character perception began to appear. The anime "Lupin Sansei" or "Lupin III" focused on a main "good guy" character with rather unscrupulous qualities (he was a master thief). The misadventures of Lupin were among some of the more prominent series during this time. "Devilman" was another anime with an "anti-hero", in that it involved a main character who possessed a demon in order to defeat other demons. These series and more would guarantee more "unconventionality" in anime, and an expansion of its characterization formulae.
Mecha and unique characterization would come together, however, in a drama/action series that was to become one of the most acclaimed anime series of all time. "Mobile Suit Gundam", first appearing in 1979, involved a war between Earth and its first space colonies, using mechanical piloted robot "suits" for warfare. These "Gundam" mechas were among one of the most loved among viewers at the time and a healthy merchandising market of models served to bolster the series' popularity. In addition to the heart-stopping battles, the thematics of war were introduced into the series. War was not without consequences, and the situations and thoughts of the characters in the series captivated audienes as much as the action did. With the success of the Gundam series, the anime movement was prepared to explode onto the Japanese (and international) scene - and it did.
80-90年代
As the 80's came and went on, Anime began to kick into high gear. By this time, the Japanese animation medium was a national mainstay and an international cult fan favorite (known as "Japanimation"). Though the few anime series that did make it onto international shores were either very vaguely known, such as Speed Racer, or horrendously cut for public consumption, such as Robotech (made from bits and pieces of three original related mecha series in Japan, with drastic changes in storyline), the medium continued its rise.
Continuing with Tezuka's fundamental trend in telling stories as well as following the drama that was seen in such series as Mobile Suit Gundam, acclaimed manga artist Rumiko Takahashi was (and still is) one of the most prominent figures during this time period. Having first become known for her comedy work "Lum: Urusei Yatsura" ("Those Obnoxious Aliens"), which was extremely popular, Takahashi dabbled in the romantic and comedy fields, drawing and animating some of the best-known anime series of all time. "Ranma 1/2", which concentrated on a main character with the ability to change gender via hot and cold water, is still popular and is still being released today by Viz Video and ran for over 100 episodes. And today, Takahashi is adding a feather of horror to her already plentiful plume, with "Inu-Yasha" - a story containing romantic, horror, and comedy elements. The story centers around a girl who finds a well that goes back in time to ancient mythological Japan, where she teams up with a half-demon in order to save the world.
As Takahashi and others continued to develop anime's storytelling, Go Nagai, creator of Mazinger Z, and others in his vein worked to develop an aspect of anime that had until now had seen minimal exposure in some of Tezuka's manga works - that of anime for adults. Breaking from the concept that animation was supposed to be only for kids, Nagai created series such as "Cutey Honey", featuring a rather well-endowed female lead who could change appearance into any number of seductive roles, and "Kekko Kamen", a hilarious satire on superhero animations that featured, of all things, a naked superheroine. This and other "adult anime" have been said by some to be a blessing and a curse - while it does add another dimension to the medium, it also fuels one of anime's greatest stereotypes of being nothing more than "animated pornography". Regardless, Nagai's work helped to expose the anime medium to even more types of fans.
The number of well-known anime series had doubled, if not tripled, from the early 70's, as companies like Shogakukan/Kitty Films and Pioneer joined the already-established Toei Animation and Tezuka Productions. But the final establishment of anime's national and international presence was yet to come. Two milestones in the history of anime were created during this already booming time period. The first of these was "Akira" released in 1988 to worldwide acclaim. Set in apocalyptic Tokyo, the film featured a motorcycle gang that faces internal strife after their discovery of a child with psychic abilities. Ultimately this struggle has more to it than meets the eye as the military, government scientists, and resistance movements become involved. With its incredible, somewhat gory animation, action, and gripping storyline, Akira became one of the best-known anime feature films not only in Japan, but all over the world, and is one that some anime fans will say got them into the genre in the first place.
1995 brought with it the second milestone in anime - Masamune Shirow's "Ghost in the Shell", another feature film set in a cyberpunk-like era. In this age, humans are enhanced with cybernetic parts and have mastered the ability to travel through an internet-like sea of information, another realm that exists beyond the human one. Thrown into this is agent Motoko Kusanagi, ordered to stop a mysterious being that is able to travel the virtual world without a body, hacking into and destroying anything and anyone who tries to stop it. However, her connection with the mysterious entity known only as "Puppet Master" may change her forever. Released worldwide, Ghost in the Shell received as much, if not more, acclaim than its predesscessor Akira and helped to solidify Japanese anime as the ultimate alternative medium to conventional animation. By this time, a healthy fan base had grown even on international shores where Disney and the Looney Tunes were the norm. Anime had finally returned to stand with its roots.
最近的:
Today, anime is alive and well, but also continuing to evolve and grow. In Japan, new series are shown on TV networks every day, with seemingly no end in sight, and well-established studios such as Toei still stand among newer animation studios to create new and exciting anime series. Though in 2001, an economical recession seems to have hit Japan, the anime medium is chugging along nicely, at least from an international point of view. The continued release of anime in Japan ensures its life even in the face of economic hardship.
Internationally, and especially in the West, the anime movement has grown to new heights at the start of the 21st century. Companies such as Bandai Entertainment, Viz Video, ADV Films, and Pioneer have become larger and more profitable than in previous years, able to release many popular series from Japan in both VHS and the new DVD format. An increasing fan base and plenty of future appealing releases has legitimized the existence of these tireless individuals who work to bring Japanese animation to other shores, in original Japanese and dubbed formats. The internet boom has also served to fuel awareness of anime, with sites like our own AnimeInfo.org and others helping to inform and cultivate interest in the medium, and others like Rightstuf.com and Animenation.com serving as vendors for anime-related merchandise. Anime conventions in the USA, such as the West Coast's Anime Expo, Midwest's Anime Central, and East Coast's Otakon have also been a factor in brining together anime fans of all ages in appreciation of the near 50 year old medium.
In the general public eye, anime is still making progress as a properly recognized medium. Though stereotypes and misrepresentations (as well as fair and objective stories) are still present in the mainstream media, the recognition of anime has still made progress from its roots in the 70's and even from the boom of the 80's and 90's. Akira, the 1988 cult hit, is being remastered for release worldwide and should be out very soon. Recent animated feature films "Perfect Blue" and "Princess Mononoke" have piqued the curiosity of many people not very familiar with anime (and in the case of "Princess Mononoke", mainstream actors were even cast as English dub voices). And Cartoon Network's Toonami, while criticized by some anime fans for broadcasting heavily edited and watered down anime series, has nevertheless served as a huge influence in the past year or so to bring in new anime fans, with its broadcasts of the "Tenchi Muyo" series, "Dragonball Z", "Gundam Wing", and "The Big O", among others.
With these and many more factors in place, the outlook looks very good for anime as it works to stay a fresh and exciting medium for many fans both nationally and internationally. The history of anime is a very progressive one, showing a medium that has changed and evolved so much over the years. The future, perhaps, may bring us to even more changes to benefit Japanese animation and its many fans.
我不知道是介绍动漫这个词还是
介绍一部动画片 只好介绍人猿泰山了
As a young boy being raised by gorillas, Tarzan is worried that a fabled monster known as the Zugor will someday catch him. He's disappointed that he can't run as quickly as the other young apes in his troop, and his attempts to prove himself keep resulting in chaos. When an accident leaves his mother thinking that Tarzan has died and the other apes feeling that Tarzan has reached a fitting end, the boy believes it best for everyone involved if he runs away.
He finds his way to a rocky place known as Dark Mountain, inhabited by two hulking, spoiled brothers Uto and Kago and their selfish, greedy Mama Gunda. But they fear the Zugor as much as Tarzan does, and when the booming call of the monster echoes through the valley, Tarzan is able to escape from them.
He encounters a crotchety old gorilla who at first keeps the boy distant, but Tarzan discovers that this old gorilla actually is Zugor, who uses hollow trees as megaphones to amplify his voice when pretending to be the monster so that he can scare other jungle inhabitants away from his land and his food. Tarzan uses this discovery to force Zugor into letting the boy stay with him. Against Tarzan's cheerfulness and helpfulness, Zugor begins to build a friendship with Tarzan as the boy continues to try to figure out what he is.
Tarzan's friends Terk and Tantor (the elephant) come looking for him, but Tarzan does not want to return home with them. It's only when his adoptive mother Kala arrives and encounters trouble with Gunda and her boys that Tarzan finally realizes what he's supposed to be: a Tarzan, with his own special tricks that no one else in the jungle can do.
汉语：泰山的父母因为海上失事而漂流到非洲荒岛上，并在此建造了一个家，不久之后却不幸遭野兽袭
击身亡，留下襁褓中的泰山。猩猩妈妈卡娜无意 中发现了泰山，并把他带回去抚养。为了博得猩
猩族群的认同，泰山努力 地学习猩猩的一举一动，并且一直以做个英勇的好猩猩为最大目标。但
是 他的想法却在人类探险队深入蛮荒后有了重大的改变！第一次，他惊讶地 发现居然有别的动
物跟自己长得如此相像；第一次，他对自己的身份归属 产生了怀疑，于是卡娜带他回到他父母原
先居住的地方，并把当年捡到他 的始末告诉他。泰山听完之后，内心十分痛苦，一时之间，他不
知道自己 到底是属于猩猩还是人类；而另一方面，他又发觉自己被探险家的女儿珍 妮深深吸引
，只想跟她在一起。终于，他决定跟随珍妮返回人类的世界， 却在此时发现探险队里的部分不肖
分子计划捕捉森林里的猩猩族群，于是 他决定回到森林中解救他的猩猩朋友们。
绛旓細涓嶄簩鐔(缃戠悆鐜嬪瓙172璇,涓嶄簩鍦ㄨ绗戝悗涓鍙滀笉浜岀唺鈥濆氨韫﹀嚭鏉ヤ簡,鏉ユ簮浜庘滃法鐔婂洖鍑烩) 涓嶄簩娈(鍗充负...銆婂皬鐜嬪瓙銆嬭嫳鏂囩増涔(宸茬湅杩囨棩鏂囩増,姝ｄ韩鍙鑻辨枃鐗堢殑涔愯叮,鏇存湡寰呯湅娉曟枃鍘熻憲) 鐢熻瘝鍗(鐢ㄦ潵璁板綍鑻辨枃鐗堜功...(Split step)銆佸弽鍚戣拷韬悆(Counter spin) 銆佸ぉ琛ｆ棤缂濅箣鏋侀檺銆佹澹娊鍑汇丆OOL鎶藉嚮鐞冦佹棆椋庢墸鏉銆佹棤鎴...
绛旓細濡傛灉鏄繖鏍锋悶绗戝悗瀹繕鏈夌偣鎵撴枟绫鐨勮瘽锛氭帹鑽愶細銆婄害浼氬ぇ浣滄垬銆嬶紙涓ら儴锛夈婃棤闄愭柉鐗规媺鎵樻柉銆嬶紙IS銆圛nfinite Stratos銆夛級锛堜袱閮級銆婃満宸у皯濂充笉浼氬彈浼ゃ嬨婇瓟娉曠涔︾洰褰曘嬶紙涓ら儴+鍓у満鐗堬級銆婃綔琛屽惂锛佸浜氬瓙銆嬶紙涓ら儴锛夈婄化寮圭殑浜氬埄浜氥嬨婄铔嬫祴璇曞彫鍞ゅ吔銆嬶紙涓ら儴锛変絾鏄偅绉嶆牎鍥悗瀹悶绗戠殑璇濓細銆婂彉鎬佺帇瀛愬拰涓嶇瑧鐚...
绛旓細鎴戣濂藉鍔ㄧ敾鐗 渚嬪(濂界殑璇淇濊瘉杩藉垎): 1.鍝嗗暒A姊︽垨鑰呬竷灏忓瓙鐚拰鑰侀紶鏌崡(瑕佸叏闆嗙殑)2.娌℃湁鍏ㄩ泦鐨勮瘽涔熻澶氭潵鐐圭綉鍧鏈濂芥槸鍚堥泦鐨勯毦寰楅夯鐑3.瀹炲湪娌″姩鐢荤墖婕敾涔熻涓嶈繃涓鐐硅鍏ㄥ悎闆嗘渶濂4.濂界殑璇濅竴鐐硅拷鍒5.澶у摜甯府蹇欒缃戠珯... 1.鍝嗗暒A姊 鎴栬呬竷灏忓瓙 鐚拰鑰侀紶 鏌崡 (瑕佸叏闆嗙殑)2.娌℃湁鍏ㄩ泦鐨勮瘽 涔熻...
绛旓細绁炰箣杩烽锛堟垜鍘诲勾10鏈堜唤涓鐩寸湅鍒扮幇鍦- -锛 鍧傞亾涓婄殑闃挎尝缃 鍐版灉锛堢涓闆嗙湅浜嗘劅瑙変笉閿欙級鐧界唺鍜栧暋鍘咃紙澹颁紭寮哄ぇ锛岀唺鐚緢鍙埍锛燂級鎰熻涓鑸埇鐨勶細鍦ｆ枟澹槦鐭紙鎰熻杩欎釜鐗堟湰涓嶆庝箞濂界湅锛 缁壊鐨勬瑺鐗囷紙鎰熻OP杩樺彲浠ワ紝涓嶈繃杩欎釜鏄箼濂冲悜鍔ㄧ敾锛 鍏夋槑涔嬪績锛堜竴鑸埇鍟︼紝灏嗘棩甯哥殑锛岃嚦灏戠幇鍦ㄦ槸銆傦級 濂崇帇涔...
绛旓細浠ヤ笅鏄竴浜涘ソ鐪嬬殑鍔ㄦ极鍙婂叾绠浠锛1.銆婂叏鑱岀寧浜恒嬬畝浠嬶細涓昏楂樺偛鐑銆佷釜鎬у紶鎵紝鍥犱负浠栫殑鐖朵翰鍘讳笘锛屼负浜嗕簤澶哄鏃忕殑鏉冨埄锛屾甯傚彜钁ｅ伐鑹哄搧璐告槗鍏徃鐨勮礋璐ｄ汉璇堥獥浜嗕粬锛屼粠姝や粬寮濮嬩簡瀵绘壘鐖朵翰鐨勬梾绋嬶紝涔熻氨鍐欎簡鐚庝汉浠殑浼犲鏁呬簨銆2. 銆奆ate/Zero銆嬬畝浠嬶細缁ф壙楠戝＋绮剧鐨勫＋鍏靛痉绫虫彁涓濆噯澶囧弬鍔犲湥鏉垬浜夛紝鍙负浜嗚瘉鏄庝粬鐨...
绛旓細瑕侀潪甯哥粡鍏哥殑鍝,浠嬬粛涓涓鍔ㄦ极鐨勫唴瀹,涓嶈澶嶅埗!!!鑷繁浠嬬粛濂界殑缁濆鍔100鍒... 瑕侀潪甯哥粡鍏哥殑鍝,浠嬬粛...R銆椼栨殫榛戠牬鍧忕銆椼朤SUBASA缈糘VA銆椼栧ぉ绌轰箣鑹炬柉鍢夌灏笺椼栧ぉ绌轰箣鑹炬柉鍢夌灏煎墽鍦虹増銆椼栫垎鐑椂绌恒椼...涔熻濂囪瑕佸憡璇夋垜浠殑,灏辨槸鍦ㄥ苟涓嶇編涓界殑涓栫晫涓,瀵绘壘涓栫晫鐨勭編涓戒箣澶,姝ｅ瀹冪殑鑻辨枃鏍囬:the beautiful ...
绛旓細鎵句笉鍒板叏鍓ф湰锛岀粡鍏稿彴璇嶅彲浠ュ悧褰撳勾77鐪嬪埌鍔ㄦ极鐗閲屾嫇瀹炲濂堝璇锋眰鎶婂瀛愮敓涓嬫潵寰堟劅鍔ㄥ憿鈥滄棤璁哄瀛愮殑鐖朵翰鏄皝锛屼綘鏄粬鐨勬瘝浜测濈被浼鐨勮瘽鍙湁鍦ㄧ煝娉界埍澶т汉婕敾閲屾墠鑳借鎵撳姩鍢垮樋锛1銆佺敺浜轰笌濂充汉缁堢┒涔熷彧鏄鏈涚殑鍔ㄧ墿鍚э紝鐪熺殑鍙互鍥犱负鐖辫岀粨鍚堝悧锛2銆佺珷鍙稿濂堝璇寸殑锛氣滅幇鍦ㄦ兂鎯筹紝鍏跺疄浣犵殑浠绘э紝涔熸病鏈変粈涔...
绛旓細鎴戣嚜宸卞枩娆㈢殑鍔ㄦ极鏈夈婇粦鎵т簨銆嬨婃煰鍗椼嬨婄綉鐜嬨嬨婄姮澶滃弶銆嬨婃亱鐖辨儏缁撱嬨婇挗涔嬬偧閲戞湳甯堛嬨婇瓟娉曞皯濂冲鍙躲嬨婃绁炪嬬瓑绛!鍍忚繖浜涚被鍨嬬殑鎴戦兘鍠滄,浠嬬粛鐨勬椂鍊欏彲浠ュ弬鑰冭繖浜!!璋㈣阿浜!!濂界殑璇缁х画鍔犲垎!璇峰悇浣嶇敤蹇冪瓟,涓嶈鐢ㄥ鍒剁矘璐翠簡浜,鏈濂藉浠嬬粛鐐!!!鎷滄墭浜!!鍚勪綅!鍝,瀵逛簡銆傚懙鍛,鎴戣劯鍐嶅帤鐐,鎺ㄨ崘鍔ㄦ极鐨勬椂鍊欒兘涓...
绛旓細宸插彂鐪熶汉鍔ㄧ敾閮芥湁閲囩撼鎴戝摝 椴侀瞾鍙戠殑鍝 閲囩撼鍟 鍙戜簡涓嶉噰绾充粈涔堜汉鍟
绛旓細Clannad key浼氱ぞ鍌唱涓夐儴鏇蹭箣涓 绁炰綔涔 绗竴閮ㄦ悶绗+澶х埍 绗簩閮ㄦ偛鍓+浜叉儏+澶х埍 褰撶劧鏄畬缇庣殑缁撳眬锛屽洜涓哄コ涓昏璇堝案鐨勮 杩欓儴鍔ㄦ极涔熸槸鎴戠湅杩囨渶濂界湅鐨 绗簩閮ㄦ湁鍙ヨ瘽鎴戠幇鍦ㄨ繕璁板繂鐘规柊锛屽洜涓烘笟鎬瀛曚簡锛屼粬鑰佺埜杩介棶锛屽ス杩欎箞鍥炵瓟鐨勶細鈥滄垜璺熸湅涔熷悰鏄か濡伙紝閭ｇ鑹茶壊鐨勪簨鎯呬篃鏄仛杩囩殑鍟鈥濅竴鏃佺殑鏈嬩篃鐙傚啋姹 ...
