près du coeur中文名
Jacqueline du Pr\u00e9\u7684\u300aPr\u00e9lude\u300b \u6b4c\u8bcd\u6b4c\u66f2\u540d:Pr\u00e9lude
\u6b4c\u624b:Jacqueline du Pr\u00e9
\u4e13\u8f91:The early BBC recordings 1961-1965
Vitaa-Prelude
Vitaa, c'est moi, petite fille saine, bien dans sa peau,
Destin\u00e9e \u00e0 une vie tranquille en fait, je dirais m\u00eame trop.
J'ai longtemps cru qu'il fallait \u00e9voluer dans un ordre, rester \u00e0 ma place,
Et donner seulement ce qu'on attendait de moi.
Puis j'ai aper?u les signes, entendu les mots, une voix, ma voie.
Alors j'ai pris les armes : ma plume, les mots, mes mots.
Parce que c'est tout ce que j'ai, tout ce que j'aime vivre, dire,
Ma musique m'enivre,
Sortie de mes textes je n'ai plus rien \u00e0 vivre,
Mes fables c'est ma vie, laissez-moi vous les lire,
Parce que c'est tout ce que j'ai, tout ce que j'aime, pire,
A fleur de toi je te respire,
Six ans de ma vie pour enfin vous le dire,
Cette encre est dans mes veines, lisez-moi, \u00e9coutez-moi mais ne me jugez pas...
A fleur de toi je te respire
Ne me jugez pas...
http://music.baidu.com/song/2597475
Jacqueline du Pr\u00e9
Background information
Birth name Jacqueline Mary du Pr\u00e9
Born January 26, 1945(1945-01-26)
Flag of the United Kingdom Oxford, England, UK
Died October 19, 1987 (aged 42)
London, England, UK
Genre(s) Classical
Occupation(s) Cellist
Instrument(s) Violoncello
Years active fl.ca. 1961-1973
Website www.JacquelineduPre.net
Jacqueline Mary du Pr\u00e9, O.B.E. (January 26, 1945 \u2013 October 19, 1987), was an English cellist, today acknowledged as one of the greatest exponents of the instrument. She is particularly associated with the Elgar Cello Concerto in E Minor; her interpretation of this work has been described as "definitive" and "legendary."
Biography
Early years
Born in Oxford, England, on 26 January 1945, Jacqueline du Pr\u00e9 was the second child of Derek du Pr\u00e9, an accountant, and pianist Iris du Pr\u00e9. At age four du Pr\u00e9 heard the sound of the cello on the radio and asked her mother for "one of those." She started with lessons from her mother, who composed little pieces accompanied by illustrations, before beginning study at the London Violoncello School at age five. Before long she was entering and winning local music competitions alongside her sister, flautist Hilary du Pr\u00e9. Du Pr\u00e9\u2019s main teacher, from 1955 to 1961, was the celebrated cellist William Pleeth. Subsequently she also participated in a Pablo Casals masterclass in Zermatt, Switzerland in 1960, as well as short-term studies with Paul Tortelier in Paris in 1962, and with Mstislav Rostropovich in Russia in 1966. So impressed was the legendary Rostropovich with his young pupil that at the end of her study with him, he declared her "the only cellist of the younger generation that could equal and overtake [his] own achievement."
Career
In March 1961, at age 16, du Pr\u00e9 made her formal d\u00e9but at Wigmore Hall, London, and she made her concerto d\u00e9but in 1962 at Royal Festival Hall playing the Elgar Cello Concerto with the BBC Symphony Orchestra under Rudolf Schwarz. She performed at The Proms in 1963 playing the Elgar concerto again, with Sir Malcolm Sargent. Her performance of the concerto proved so popular she subsequently returned three years in succession to perform the work. Du Pr\u00e9 became a favourite at the Proms, performing in the British festival every year until 1969.
In 1965, at age 20, du Pr\u00e9 recorded the Elgar concerto for EMI with the London Symphony Orchestra and Sir John Barbirolli, which brought her international recognition. This recording has since become the benchmark reference for the work, and one which has never been out of print since its release over forty years ago. Du Pr\u00e9 also performed the Elgar with the BBC Symphony Orchestra under Antal Dorati for her United States d\u00e9but at Carnegie Hall on May 14, 1965.
Throughout her career, du Pr\u00e9 performed with the most prestigious orchestras and conductors, including the Berlin Philharmonic Orchestra, London Symphony, London Philharmonic, New Philharmonia Orchestra, BBC Symphony Orchestra, New York Philharmonic, Israel Philharmonic, and the Los Angeles Philharmonic Orchestra. She regularly performed with conductors such as Sir John Barbirolli, Sir Adrian Boult, Sir Malcolm Sargent, Daniel Barenboim, Zubin Mehta, and Leonard Bernstein.
Du Pr\u00e9 primarily played two Stradivarius cellos, the instrument of 1673, and the 1712 Davydov Stradivarius. Both instruments were gifts from her godmother, Ismena Holland. She performed with the 1673 Stradivarius from 1961 until 1964 when she acquired the Davydov. Many of her most famous recordings were made on this instrument, including the Elgar Concerto with Barbirolli, the Schumann Cello Concerto with Barenboim and the two Brahms Cello Sonatas. From 1969 to 1970 du Pr\u00e9 played a Francesco Goffriller cello, and in 1970 she acquired a modern instrument from the Philadelphia violin maker Sergio Peresson. It was the Peresson cello that du Pr\u00e9 played for the remainder of her career until 1973, including a second, live recording of the Elgar Concerto, and her last studio recording in 1971 of the sonatas by Frederic Chopin and C\u00e9sar Franck.
Her friendship with musicians Yehudi Menuhin, Itzhak Perlman, Zubin Mehta, and Pinchas Zukerman, and marriage to Daniel Barenboim, led to many memorable chamber music performances, and the 1969 performance at the Queen Elizabeth Hall in London of the Schubert Piano Quintet (the "Trout"), also resulted in a film, The Trout, made by Christopher Nupen. Nupen made other films featuring du Pr\u00e9, including Jacqueline du Pr\u00e9 and the Elgar Cello Concerto, a documentary featuring a live performance of the Elgar, and The Ghost, with Barenboim and Zukerman in a performance of the Piano Trio, Op. 70, no. 1 in D Major by Beethoven.
Awards
Du Pr\u00e9 received several fellowships from music academies and honorary doctorate degrees from universities, in acknowledgment of her contribution to music. She was the first recipient of the prestigious Guilhermina Suggia Award, at age eleven, and remains the youngest recipient. In 1960, she won the Gold Medal of the Guildhall School of Music in London and the Queen's Prize for British musicians. She was created an OBE in 1976. At the 1977 BRIT Awards, she won the award for the best classical soloist album of the past 25 years for Elgar's Cello Concerto.
Personal life
Jacqueline du Pr\u00e9 met pianist Daniel Barenboim on New Year's Eve in 1966. They were married the following June (1967) at the Western Wall in Jerusalem. Their marriage, for which she converted to Judaism, brought about one of the most fruitful relationships in the world of music; some commentators have compared this musical marriage to that of Robert and Clara Schumann. This was evidenced by the many performances of du Pr\u00e9 with Barenboim as either a pianist or conductor.
Du Pr\u00e9\u2019s sister Hilary was married to conductor Christopher "Kiffer" Finzi, with whom Jacqueline had an affair from 1971 to 1972. According to Hilary and her brother Piers in their book, A Genius in the Family (ISBN 0434003441), which was made into the film Hilary and Jackie, the affair was conducted with Hilary's consent as a way of helping Jacqueline through a nervous breakdown. Reportedly, Hilary asked Jacqueline to sleep with Kiffer during her separation from Barenboim. In 1999, Clare Finzi, the daughter of Kiffer and Hilary, publicly criticized her mother's account and laid out a different version of events, in which her father was a serial adulterer who seduced her emotionally vulnerable aunt in a time of great need in order to gratify his own ego.
Anand Tucker's controversial 1998 film Hilary and Jackie is based on A Genius in the Family, and features Emily Watson as Jacqueline and Rachel Griffiths as Hilary. Although the film was a critical and box-office success, and received several Academy Award nominations, its portrayal of du Pr\u00e9 was derided by her close friends and associates as palpably untruthful.
Diagnosis of Multiple Sclerosis
In 1971, Jacqueline du Pr\u00e9\u2019s playing began an irreversible decline when she began to lose sensitivity in her fingers, as well as in other parts of her body.
She took a sabbatical in 1971 until 1972, recording her last studio album of sonatas by Chopin and Franck in December 1971. Although she did perform during her sabbatical, they were very rare occurrences.
In 1973 du Pr\u00e9 resumed her concert activities, but by that time the symptoms had become severe. In January 1973 she toured North America, and some of the concert reviews from that period were less than complimentary. It was an indication that her condition had worsened, although there were moments of brief respite from the symptoms, during which she played without noticeable problems. She performed the Elgar Concerto for her last London concerts in February 1973 with Zubin Mehta and the New Philharmonia Orchestra.
Her last public concerts were in New York in February 1973, where she was scheduled for four performances of the Brahms Double Concerto with Pinchas Zukerman, and Leonard Bernstein conducting the New York Philharmonic. Du Pr\u00e9 later recalled that she had problems judging the weight of the bow, and even opening the cello case had become difficult. As she had lost sensation in her fingers, she had to rely visually, to know where she had to play on the fingerboard. Although she managed three of the four dates, she canceled the last performance. Isaac Stern stepped in to replace du Pr\u00e9, performing the Mendelssohn Violin Concerto.
In October 1973, she was diagnosed with multiple sclerosis, the disease that caused her health to deteriorate until her death in London on October 19, 1987, at age 42.
Her Davydov Stradivarius, purchased for slightly over a million pounds, is on loan to Yo-Yo Ma, while the 1673 Stradivarius, named the du Pr\u00e9 Stradivarius by Lynn Harrell as a tribute, is now owned by a female Russian cellist.[3] The 1970 Peresson cello is currently on loan to Kyril Zlotnikov, cellist of the Jerusalem Quartet.[4]
After du Pr\u00e9\u2019s death, an English rose was named after her. She was made an honorary fellow of St Hilda's College, Oxford, whose music building bears her name. She also left a legacy of recordings, which were later recompiled into new collections.
Selected discography
* Elgar: Cello Concerto / Sea Pictures / Overture:Cockaigne. Janet Baker. London Symphony Orchestra/Sir John Barbirolli EMI 0724356288720
* Brahms: Cello Sonatas. Daniel Barenboim EMI 0724356275829
* Haydn Cello Concertos Nos. 1 & 2/ Boccherini Cello Concerto in B flat. English Chamber Orchestra/Daniel Barenboim. London Symphony Orchestra/Sir John Barbirolli EMI 0724356694828
* Beethoven: Piano Trios Opp.1 & 97 / Variations and Allegrettos. Daniel Barenboim, Pinchas Zukerman EMI 0094635079821
* Beethoven: Piano Trio Op.70/Cello Sonatast No 3 & 5. Daniel Barenboim, Pinchas Zukerman (Trio), Stephen Kovacevich (sonatas) EMI 0094635080728
* Jacqueline du Pr\u00e9 - The Early BBC Recordings. EMI 0724358623628
* Beethoven: Cello Sonatas. Daniel Barenboim EMI 0724358624229
* Brahms/Chopin/Franck:Cello Sonatas. Daniel Barenboim EMI 0724358623321
* Dvorak: Cello Concerto in B Minor/Schumann:Cello Concerto in A Minor New Philharmonia Orchestra, Chicago Symphony Orchestra/Daniel Barenboim EMI 0724356280526
* The Complete EMI Recordings (17CDs). Various co-performers. EMI 5099950416721
On DVD
* Remembering Jacqueline Du Pr\u00e9 (1994), directed by Christopher Nupen
* Jacqueline du Pr\u00e9 In Portrait (2004), directed by Christopher Nupen
* The Trout (2005), directed by Christopher Nupen
* Hilary and Jackie (1998), dramatised portrait directed by Anand Tucker
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\u7b80\u5386
\u6770\u594e\u7433\u00b7\u675c\u666e\u857eJacquelin du Pr\u00e9\u751f\u4e8e1945\u5e741\u6708\uff0c\u725b\u6d25\u4e00\u4e2a\u4e2d\u4ea7\u9636\u7ea7\u97f3\u4e50\u4e4b\u5bb6\uff1a\u5979\u6bcd\u4eb2\u662f\u4e2a\u4e0d\u9519\u7684\u94a2\u7434\u5bb6\u4e5f\u662f\u4e2a\u5929\u624d\u6559\u5e08\u3002\u8fd9\u4e2a\u6cd5\u56fd\u59d3\u6765\u81ea\u5979\u7236\u4eb2\u90a3\u8fb9\u6e90\u4e8eChannel\u5c9b\u7684\u7956\u7c4d\u3002\u5c31\u5728\u5979\u8981\u8fc7\u4e94\u5c81\u751f\u65e5\u524d\uff0c\u521d\u9732\u97f3\u4e50\u624d\u534e\u7684\u5979\u5728\u6536\u97f3\u673a\u4e0a\u542c\u5230\u5927\u63d0\u7434\u7684\u7434\u58f0\uff0c\u575a\u51b3\u8981\u6c42\u62c9\u8fd9\u4e2a\u3002
\u675c\u666e\u857e\u5c31\u5b66\u4e8eHerbert Walenn\u7684\u4f26\u6566\u63d0\u7434\u5b66\u6821\uff0c\u5341\u5c81\u65f6\u4ece\u5e08\u4e8eWilliam Pleeth. William Pleeth\u66fe\u7ecf\u5728\u91cc\u65af\u672c\u5728Julius Kengel\u624b\u4e0b\u5b66\u7434\u3002Pleeth\u7684\u62c9\u7434\u98ce\u683c\u4e5f\u662f\u6fc0\u60c5\u8c6a\u8fc8\u7684\u3002\u540e\u6765\u675c\u666e\u857e\u76f8\u7ee7\u8ddf\u968f\u745e\u58eb\u7684Casals\uff0c\u5df4\u9ece\u7684Tortelier\uff0c\u548c\u83ab\u65af\u79d1\u7684 Rostropovich\u7ee7\u7eed\u5b66\u4e1a. 1956\u5e74\u83b7\u5f97Suggia\u5956\uff0c\u5f53\u65f6\u7684\u8bc4\u59d4\u4f1a\u91cc\u5305\u62ecBarbirolli\u3002\u6b64\u5956\u662f\u4e3a\u4e86\u7eaa\u5ff51950\u5e74\u53bb\u4e16\u7684\u8461\u8404\u7259\u5927\u63d0\u7434\u624bSuggia\u6240\u8bbe\u3002
1959\u5e74\u675c\u666e\u857e\u7b2c\u4e00\u6b21\u516c\u5f00\u8868\u6f14\u5979\u7684\u57c3\u5c14\u52a0(Elgar)\u534f\u594f\u66f2\uff1b1960\u5e74\u8d62\u5f97\u7687\u540e\u5956\u676f(Queen\u2019s Prize);1961\u5e74\u5728\u4f26\u6566\u7b2c\u4e00\u573a\u6f14\u594f\u4f1a\u6210\u529f\u5b8c\u6210\uff0c\u5f53\u65f6\u5979\u7684\u5927\u63d0\u7434\u662f\u4e00\u628a1672\u5e74\u7684Stradivarius. \u4e00\u5e74\u540e\u5979\u5148\u540e\u6f14\u594f\u4e86\u51e0\u573a\u91cd\u8981\u7684\u57c3\u5c14\u52a0\uff0c\u5176\u4e2d\u5305\u62ec\u7b2c\u4e00\u573a\u540e\u6765\u6210\u4e3a\u5386\u5e74\u4f20\u7edf\u7684BBC\u97f3\u4e50\u4f1a\u3002\u90a3\u4e00\u5e74\u5f00\u59cbGeorge Malcolm \u6210\u4e86\u5979\u7684\u594f\u9e23\u66f2\u8868\u6f14\u4f19\u4f34\uff0c\u800c\u4e14\u4e8c\u4eba\u5f00\u59cb\u8054\u624b\u4e3aEMI\u5f55\u97f3\u30021964\u5e74\u5979\u548cStephen Kovacevich\u6210\u4e3a\u534f\u594f\u66f2\u4f19\u4f34\u3002\u5e76\u9996\u573a\u6f14\u51fa\u4e86Priaulx Rainier\u7684\u534f\u594f\u66f2\u3002\u540c\u5e74\u4e00\u4f4d\u4e0d\u77e5\u540d\u7684\u5d07\u62dc\u8005\u9001\u7ed9\u5979\u4e00\u628a1712\u5e74\u7684Stradivarius\uff0c \u2018Davydov\u2019, \u6b64\u7434\u6210\u4e3a\u5979\u4eca\u540e\u7684\u6f14\u51fa\u5668\u6750\u3002\u52301965\u5e74\u5979\u7684\u58f0\u8a89\u5df2\u7ecf\u6e10\u6e10\u5347\u9ad8\uff0c1965\u5e74\u5f53\u5979\u5f55\u5236\u4e86\u5979\u90a3\u573a\u8457\u540d\u7684\u57c3\u5c14\u52a0\u534f\u594f\u66f2\u4e4b\u540e\uff0c\u6210\u4e3a\u4e86\u6709\u76ee\u5171\u7779\u7684\u4e00\u9897\u707f\u70c2\u660e\u661f\u3002\u540c\u5e74\u5979\u9996\u6b21\u5728\u7f8e\u56fd\u6f14\u51fa\u3002
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用google翻译为《近心》
près ：关闭
du ：的
coeur：心脏
直接翻译为 关闭的心脏..
près是附近，周围的意思
du 是 结构助词de和阳性不定冠词le的缩合形式
coeur是心，心脏的意思
就像2楼所说的，应该是“心的周围”的意思，文学化一些可以翻译成“心之畔”
près de:在...附近，旁边
le coeur:心，心脏；心口，胸口
表面意思就是“靠近心口”，可以译为：心灵相通
关闭的心?太好玩了.
我理解的是,靠近我心.
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