中国电影与国外电影区别的原因？ 中国电影和美国电影有什么区别
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When we consider about the reasons of such big differences between Chinese movies and western films in the way of expressions, different social backgrounds should be the general and decisive reason.
To put it in details: the art of Chinese movie is affected in many aspects by culture and traditions, including emotional expression, narrative methods, style performance, education, education awareness, the reality of the tragedy of comedy optional check, awareness of life ethics bias of reality and the subconscious subjective concerns alienation and so on.
The most significant here is the emotional expressional forms. Oriental movies of emotional expression are most truly revealed the differences between movies of china and the West, which also derived a unique feature in behavior, performance, and cinema-style. The Chinese art forms to express emotions of film culture highlight the expression character: that is, advocating for the degree of moderation, restraint implicit emotional lyric approach.
Limier is the founder of the documental film; his films were the first ones as some magic films or current-affairs films. These films were as tens of meters long but only played just a few minutes; moreover, there is no change of the lens, which can be called a single-lens video.
But just in such childish movies, there had been changes of screens and special-effect photography. The 1950's after war is a new age of movie. Three-dimensional movies, panoramic movies, wide screen movies broke the frame of the screen, broaden people's horizons. High-speed photographic film and tape recording availed people to shoot outside; color and stereo made brilliant films. All of these made movie to be more diversified and real. But different countries are with a different development of science, which brought different development to movie business.
As time goes by, the development of the form of expression was significant. Various forms of expressions appeared during this processes of developing. Such as: Description (scene descriptions, detail descriptions, simple description), a symbol of grotesque, realist, video tone, screen effects, screen design, rhythm (internal rhythm, external rhythm), Curate, Chauvin effect, the lens (subjective lens, objective lens, and air lens), space-time conversion skills, fade and slowly appear, cut (jump cut), and overprint, zoned, flash back, and so on. Usually, many of them are used as a unity in one film as a way of different aims of the editors. Despite the favors of individual film makers, there are also big differences in use of these film shooting methods.
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对于美国电影和中国电影差距为什么那么大，小编认为有以下几点原因：
1.体系
好莱坞拥有着一套工业化流程的标准电影拍摄方法。不管是什么电影，都是进行标准化创作的。因此，虽然好莱坞也有烂片，但下限比较高。我国电影这方面还不过完善，分工不明确，导致烂片横生，下限太低。
2.演员
好莱坞的演员大多比较敬业，专注演员的工作。比如拍《碟中谍》系列，阿汤哥所有的惊险动作，无保障攀岩、徒手扒飞机，室外爬迪拜塔等都是亲自上阵。而我国这一届演员相比真的是差太多了，仅仅拍个动作不大的戏都要替身或者抠图。阿汤哥作为五十岁的人都亲自上阵，而我国年轻演员二三十岁却自能靠替身。我国的演员相比老一辈的演员真的逊色太多。
3.特效
我国的特效水平并不差，然而由于演员的片酬占据了大头，所有特效方面投入就少了，因而，我国的特效看起来什么的出戏。国外的电影资金有着合理的安排，特效一点也含糊，看起来就相当顺畅。
4.剧本
国外剧本有着相当成熟的分工，各种类型都有，剧本也比较精良，虽然现在好莱坞剧本也不怎样，但至少中规中矩。而我国的限制比较大，剧本大多都是历史宫斗片或者抗日战争片，类型比较少。而且，由于我国没有成熟的编剧体系，所有经常出现烂剧本，完全不把观众当回事，只想走走流量。
5.道具
好莱坞有着成熟完善的道具制作组，比如《指环王》里的部分场景都是道具制作出来的，效果逼真。以及《权力的游戏》中，角色路人的服装都是专门制作，符合实际。而我国这方面真的是完全空白，目前还没有完整的道具组，服装上面也都是光鲜亮丽，完全不符合实际，容易让人看了出戏。
要看你想谈到什么深度，我国是社会主义国家，所以就决定了我们的文化作品只能反映社会主义建设，举个例子，前两年的韩剧关于婚外情，三角恋等内容的近年已经被封禁了，目前的作品必须按照国家给的社会主义核心价值观标准，而国外是资本主义，主要以盈利为目的，有很多文化与社会主义文化矛盾所以不可能在中国传播
而每个国家文化背景不同，例如日本的萌文化，与漫画与日本人的生活习惯，历史背景有关，西方的腐文化来自于过度的个人主义（教科书说的词）
对于美国电影和中国电影差距为什么那么大，小编认为有以下几点原因：
1.体系
好莱坞拥有着一套工业化流程的标准电影拍摄方法。不管是什么电影，都是进行标准化创作的。因此，虽然好莱坞也有烂片，但下限比较高。我国电影这方面还不过完善，分工不明确，导致烂片横生，下限太低。
中国电影注重的是流量小鲜肉 真的是难看 演技难看
要看你想谈到什么深度，我国是社会主义国家，所以就决定了我们的文化作品只能反映社会主义建设，举个例子，前两年的韩剧关于婚外情，三角恋等内容的近年已经被封禁了，目前的作品必须按照国家给的社会主义核心价值观标准，而国外是资本主义，主要以盈利为目的，有很多文化与社会主义文化矛盾所以不可能在中国传播
而每个国家文化背景不同，例如日本的萌文化，与漫画与日本人的生活习惯，历史背景有关，西方的腐文化来自于过度的个人主义（教科书说的词）
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