英国文学史里的Restoration Drama是什么?
\u82f1\u56fd\u6587\u5b66\u53f2\u7684\u4f5c\u54c1\u76ee\u5f55PrefaceThe Anglo-Saxon Period 449-1066IntroductionThe Venerable Bede and CaedmonKing Alfred the GreatBeowulfThe Exeter BookThe Medieval Period 1066 -1485IntroductionMedieval RomanceFolk BalladsJohn Wycliffe and William LanglandDrama in the Middle AgesGeoffrey ChaucerThe Elizabethan Age 1485-1625IntroductionThomas MoreSir Philip SidneyEdmund SpenserChristopher Marlowe and Sir Walter RaleighMinor PlaywrightsWilliam ShakespeareFrancis BaconKing James BibleThe Seventeenth Century 1625-1700IntrodutionBen Jonson and the Cavalier PoetsJohn Donne and the Metaphysical PoetsJohn MiltonJohn BunyanJohn DrydenThe Age of Neo-Classicism 1700-1764IntroductionAlexander PopeJonathan SwiftRichard Steele and Joseph AddisonSamuel Johnson and James BoswellThe Novel of the Eighteenth CenturyDaniel DefoeSamuel RichardsonHenry FieldingTobias SmollettLaurence SterneOliver GoldsmithPre-Romantic Period 1764-1798IntroductionHorace WalpoleAnn RadcliffeThomas GrayRobert BurnsWilliam BlakeThe Romantic Age 1798-1837IntroductionWilliam WordsworthSamuel Taylor Coleridge\u2026\u2026The Victorian Age 1837-1901The Modernist Age 1901-1945The Postmodern Period 1945-PresentBibliographyIndex\u2026\u2026
11. ____believes that man\u2019s fate is predeterminedly tragic, driven by a combined force of \u2018nature\u201d, both inside and outside.
A. Charles Dickens B. Thomas hardy B
C. Jane Austen D. William Blake
12. \u201cSo was it when my life began/ So is it now I am a man/ So be it when I shall grow old/ Or let me die!` is taken from \u2018s poem.
A. William Blake B. Robert Burns D
C. P. B. Shelley D. William Wordsworth
13. In Gulliver\u2019s Travels, Yahoos are the creatures living on .
A. Lilliput B. Brobdingnag D
C. Laputa D. Houyhnhnms
14. List the following terms according to the time when they appeared.
A. romanticism, neoclassicism, humanism, critical realism B
B.humanism, neoclassicism, romanticism, critical realism
C.romanticism, humanism, realism, naturalism
D. realism, critical realism, romanticism, humanism
15. wrote under the influence of Scottish folk tradition and old Scottish poetry.
A. Jonathan Swift B. Robert Burns B
C. William Blake D. Geoffrey Chaucer
16. first made blank verse the principal instrument of English drama in the Renaissance period.
A. William Shakespeare B. Thomas Wyatt C
C. Christopher Marlow D. Henry Howard
17. Gertrude and Ophelia are characters in______.
A. Othello B. Clarissa C. Hamlet D. The Merchant of Venice C
18. The principal elements of novel are mystery, horror and suspense.
A. Gothic B. Romantic C. Sentimental D. Realistic A
19. Which of the following is NOT true about The Canterbury Tales?
A. It is written for the great part in heroic couplets.
B. It is written in the form of a dream vision. B
C. Chaucer chose a pilgrimage as the framework for the stories involved in it.
D. \u201cThe General Prologue\u201d introduces the pilgrims and the time and occasion of the pilgrimage.
20. For the Romantics, ____is not only the major source of poetic imagery, but also provides the dominant subject matter. A
A. love B. man C. nature D. death
Part IV. Identify the Author and the Title of the Work from Which the Quotation Is Taken and then Explain It. (10%)
1. It is a truth universally acknowledged, that a single man in possession of a good
fortune must be in want of a wife. Jane Austen
2. So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die! William Wordsworth
“Restoration Drama”是“复辟时期的戏剧”之意。
“Restoration”本意是“恢复、复原”，这里指英国历史上的一段时期，即王政复辟时期（1660年到1688年）。1660年，克伦威尔执政的共和时期结束，查理二世重登王位，英格兰君主复辟。查理二世在国会中恢复设置主教，建立严格的英国国教式政权。
复辟时期也包括之后詹姆斯二世时代，以扩大殖民地贸易为特征，并发生英荷战争，英国的戏剧与文学也重新复兴。
查理二世复辟后，被清教徒关闭的剧院重新开放，英国戏剧获得新生。这一时期出现的风俗喜剧是当时戏剧的最高成就，威廉·康格里夫（William Congreve， 1670-1729）的《以爱还爱》（Love for Love）、《如此世道》（The Way of the World）等剧作是风俗喜剧的代表作品。
风俗喜剧是喜剧的一种，它描绘并且讽刺上流社会的风俗习惯和道德准则。复辟时期的英国上流社会是英国风俗喜剧的讽刺对象。复辟时期英国风俗喜剧的主要精神是讽刺的、批判的,具有严肃的道德目的,它大多写上流社会两性之间的关系，以讽刺、谴责贪婪、虚伪、纵欲、诽谤、陷害等社会罪恶和陋习。
扩展资料：
复辟时期戏剧的代表人物：威廉·康格里夫
威廉·康格里夫（William Congreve，1670-1729年），英国剧作家。他的喜剧以活泼生动和对话高雅为特色，对角色（特别是一些次要人物）的刻画细致入微且多彩多姿。他的情节主要围绕错综复杂和令人反感的风流韵事展开，真实性不强，构思不够巧妙。
康格里夫的杰作《如此世道》写上流社会一对有才华的青年男女相爱成婚的故事，剧中有一场专门写他们两人谈判结婚条件，并且讨论婚后如何互相尊重、互相体谅，以保证美满、幸福的家庭生活。
康格里夫并不采取直接说教的方式来教育观众，而是通过复杂的故事情节，塑造才华横溢的青年男女，并以高度机智、幽默的对话来达到他推崇严肃的道德目的：医治社会的疾病，建立人和人(尤其是两性)之间的真诚、友善的关系，改造人的社会行为。
康格里夫的喜剧语言达到了文雅、细致、锋利、流畅、精确、含蓄的完美境地。19世纪英国批评家哈兹里特写道：“康格里夫喜剧中的每一句话都充满了意义和讽刺，用最典雅、最尖锐的词语表达出来。”19世纪末英国小说家梅瑞狄斯认为康格里夫足可和莫里哀相对起舞，树立喜剧创作的典范。
参考资料来源：百度百科-威廉·康格里夫
从1642年清教徒关闭剧院到复辟后3个月剧院开演，英国剧坛沉寂了十八年；
复辟时期的悲剧作家除德莱顿以外，著名的还有纳撒尼.李，托马斯.奥特维，他们受法国古典主义戏剧很大的影响。李的《争宠的王后》和奥特维的《保全了威尼斯》都写了爱情与荣誉、责任之间的冲突，后一部戏长被推为英国古典主义悲剧的代表作。
复辟时期的喜剧相当出色。他们不同于伊丽莎白时代的浪漫喜剧，而是讽刺性的风俗喜剧。讽刺对象是当时的英国上流社会。但是他们的讽刺并不深刻，以轻松的心情和愉快的反讽来表现生活。俏皮幽默的对话为突出特点。喜剧最常见的主题是上流社会的男女之间的爱的纠纷，反映出宫廷中轻浮放荡的时尚
爱莫能助，同求教。
