求通过迪士尼动画《花木兰》评论中美文化差异 详细 急！！！ 求 迪斯尼动画片《花木兰》英文影评 1500字左右的
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Why Mulan sticks out as a great Disney film.
I was impressed by this Disney film for so many reasons, too many to list here, but I will go on the record as saying that Mulan has got to be one of the best Disney female characters that ever saw production, in the midst of a colorful and artistic film, that will resonate in your memory.
Mulan sticks out in my mind for this reason. For once, we have a strong female lead, or at the least, stronger than most of them. She isn't counted among the Disney "princesses" line-up. She doesn't want for herself, and she seeks to look deeper within herself to discover her inner being. She isn't like Ariel, who wants to be someone else. She isn't like Jasmine, who sits in luxury, waiting to be swept off her feet by Prince Charming, just like Snow White, Cinderella, Sleeping Beauty, and almost any female character that Disney brings to life. And while she does share some traits among this list, she stands out because she does something that these do not. She uses her mind.
Mulan, in fact, has more in common with male Disney leads than the female Disney leads. Mulan is a thinker, and a do-er. She's resourceful, like Aladdin. She is quick to act, like Eric (mermaid.) And she sacrifices herself for the sake of others, like Hercules. She also speaks her mind, even in a culture that does not allow such a thing. She doesn't waste time pining about "will I ever find true love?" Indeed, we see that she has an attraction to Shang (as he was her husband in the legends,) but we see her uncomfortable and unsure of meeting the Match-maker. She begs for her father's life when Chi-Fu came to the village. When you see her make her decision to take her father's place in the army, she does so out of her love for him, valuing his life above hers. She doesn't wish to become a man to see what it is like or for a change. Only to save his life. She later doubts herself and her reasons for going, but she did so because of her inner strengths, something other female Disney leads too often lack. (And it is these strengths that Shang is attracted to at the end.)
This movie also has a simple, but very effective villain, Shan Yu. Though not as memorable as Jafar or Ursula, he is more effective and more menacing because he is not fantastic. By that, I mean that he is not magical, he holds no special power. He is portrayed as a man, and as a man that could have truly existed, performing vicious acts that men do. We see the destruction that his army lays to a village, and when Mulan finds the doll, it shows that Shan Yu left no one living, man, woman or child. This is what makes him so effective as a villain, showing how truly human he indeed is. Granted, the producers did not develop him in any great depth, but they showed enough of him to remind us of his threat to China. Besides, sometimes the better villains are the ones you don't know too much about, or see a lot of.
Of the rest of the supporting cast, I will only mention four of them as being memorable in any real way. Chi-Fu, the emperor's consultant, was a reminder of the way many men looked at women in this culture. He thrusts his head up when Mulan begs for her father's life, and when she is discovered to be a woman, though she is a hero, he is quick to insult her, and to order her execution, simply because she impersonated a man. The other three were, of course, her comrades, Ling, Yao, and Chian Po. Though they were mainly comic relief (almost like a 3 stooges set,) they remained loyal to Mulan and trusted her fully, even after she was discovered. I like them, because they were not discriminatory to her in any way, even trying to stop her execution. When Mulan told them she had an idea to help the emperor faster, they were the first to her side, even when Shang was still reluctant to do so.
Overall, a wonderful movie to the Disney list. If you haven't seen it, then do so, you won't regret it.
And yes, Mushu was a cool character as well.
**** In Response to an earlier post by Phoenix-1 **** To expect any movie to accurately portray history in any way is lunacy. Even those movies that come close to historical accuracy are flawed in many ways. This was a way of telling a story, as any movie is. It can be argued that it tries to provoke curiosity in another culture, but it is also meant to entertain. I would also like to point out that Mulan is really not "historical," like Joan of Arc, but rather she is a legend, much like Hercules and Aladdin, who also come from the realm of myth, stories and legends. And while there is some difference between the original legend and this movie, your examples of how Disney would butcher tales of George Washington and Abraham Lincoln do not compare to this story in any way. Your arguments for comparison should be better applied to Pocahontas, as she was an actual historical figure.
迪斯尼在选择影片题材时，希望每一部影片都能与众不同。《花木兰》一片，是迪斯尼首次尝试古装动画片的制作，同时也是迪斯尼第一次真正走进亚洲世界。这对于迪斯尼的创作人员来说无疑是一次令人兴奋的挑战。由于东西方文化的差异，在将故事改编成动画片的过程中，迪斯尼公司遇到了前所未有的困难。有人说这是一个外包装是中国化的，内部结构被完全西化的故事，也有人说，这样的故事已经不具备中国的传统文化色彩，但究竟如何，要让观众评判。
尽管这是个东西合璧的电影，但很多人认为影片中全新的木兰形象非常吸引人，这主要是因为她身上有一些小缺点，她不是一个完美的神。她有时做事也会出错，这让人觉得她是一个生活在我们身边的很普通的人，很真实。木兰生活在中国传统礼教束缚的封建社会，但她没有被这个社会吞食，而是通过她的身体力行改变了这个社会的传统，改变了人们对她的看法。
由于花木兰是中国故事，与过去的美国动画片截然不同，它的鲜明的东方风格吸引了许多西方观众的注意。画面上的花木兰以及其他的所有人物，都长着地地道道的中国面孔，黑色的头发，黑色的眼睛，黄色的皮肤，与美国过去制作的动画片中的人物完全不一样。跟随在花木兰身边的一个小动物——一条红色的小龙，也与过去迪斯尼动画片里的各种小动物完全不同，这条小龙也是地道中国式的。还有片中展现出来的中国古代战争的宏伟场面，也与西方的战争场面不同。中国人重视家庭荣誉，认为个人应该报效国家的固有价值观念，在此片中也得到了充分的体现，这样严肃的主题与迪斯尼过去热衷于逗趣的风格很不一样。总而言之，别具一格的花木兰故事，让美国人看着十分新鲜。�
不过这部动画片的创作毕竟是出自美国人之手，它也给花木兰的故事添加了若干美国式的细节。比如上面提起过的那条跟随在花木兰身边的小红龙，就是美国人喜爱的表演方式，不过这个小动物不同于米老鼠唐老鸭大灰狗，而是只有中国才有的小龙罢了。还有就是它在全剧的结尾处，给花木兰加上了一场爱情戏，爱情戏也是美国人所热衷于表演的，仿佛没有爱情就构不成戏剧一样。�
在美国上演花木兰，当然要说英语，他们特地找了一位出生在美国的华裔女演员为花木兰配音。不过，做为一名中国人，我看着屏幕上的中国古代巾帼英雄花木兰，说着一口流利的英语，那感觉是既惊奇又滑稽的。试想，假如有一名美国观众坐在北京的某家电影院里看《泰坦尼克号》，听着剧中的男女主人公用标准中国普通话谈情说爱，那感觉大概也会与我今日的感觉十分相近。�
迪斯尼真是搞噱头的大师。它为了配合动画片的上映，还在乐园里推出了全新的花木兰游行。这个游行队伍由一百多人组成，大部分参加者是华裔演员。迪斯尼乐园还挑选了一位刚刚中学毕业的华裔女学生，在游行队伍中扮演花木兰，而由她的哥哥扮演花木兰的父亲，这父女二人将坐在游行花车的顶端，而花车则由四匹高大的骏马拉着缓缓行进。�
除此之外，迪斯尼乐园还特地从我国的河北省请来了一个杂技团，参加花木兰游行。中国杂技团带来了头顶大缸，踩高跷，扯铃，转盘子等节目，杂技团演员们表演的真功夫，令参观的老美们看得目瞪口呆。�
这一切迪斯尼乐园认为还不够。今年春天它又从四百多位报名应征者中甄选出一位华裔女大学生，请她扮演动画片花木兰中女主角的“化身”，在乐园举办的有关宣传活动里露面，接受大众媒体的采访，在乐园里为花木兰迷们签名。�
好不热闹。这就是美国式的艺术操作。而它这一次操作的主题，却是一个古老的传统中国故事。
《花木兰》不仅因首次破天荒地取材中国民间故事而引起全球瞩目，更因其在动画制作技术上的突破性发展，堪称所有迪斯尼动画片中艺术成就最高的一部。
当然是商业片~对中国文化传播有作用，但这也是中国文化的悲哀~
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