对米兰大教堂的英文介绍 急求:米兰大教堂的英文介绍

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Church of Duomo ( Churchof Duomo ), Italy's famous Catholic Church, also known as" duomo cathedral", is located in Italy Milan City, dimensions resides the world the second. Milan is located in the south of the Alps Aron the river, is a long history of the ancient city, is the second largest city in Italy. It was the year 1386the construction, completed in 15001774 the central tower vault, gold on the virgin Maria statue. In 1897 the last completed, during the five century. Not only is the symbol of Milan, is also the center of Milan. Napoleon in 1805 in Church of Duomo held a coronation ceremony.
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An Authentic Church in a Changing World

The International Church of Milan is a Bible believing English language fellowship established by men and women seeking to know God and to make Him known. We exist to love, to trust and to make God\u2019s truth known. We love the Lord with all we\u2019ve got \u2013 heart, soul, mind and strength \u2013 and love others as Christ loves us. We trust Him as our salvation, our provider, and the One who works in us to make us like Him. We teach the truth of God as we find it in His Word, to as many as we possibly can.St. Peter's of Rome Commentary
"St. Peter's, the most magnificent church in Christendom and the fruit of many talents, soars triumphantly above the Vatican Hill. For nearly 150 years, a succession of popes entertained the idea of glorifying the shrine of their patron saint."

"The medal by Caradosso (1506) and the partial plan drawn by Bramante (in the Uffizi, Florence), probably represent the earliest stage of the design, before the difficulties appeared which obliged the architect and his successors to propose, and in some cases implement, numerous changes. These changes related not only to the general conception of the plan\u2014first a Greek cross, then a Latin one\u2014but also to the plan of the transepts, which at one time were to have ambulatories; to the role of the Orders, first purely decorative (Bramante), then structural (Raphael, Michelangelo); and to the construction and shape of the dome, first with a single masonry shell (Bramante), then a double one (Sangallo, Michelangelo). The piers at the crossing, which were intended to support the dome, were one of the biggest problems; too slender in Bramante's plan, they were frequently reinforced... In the 17th century further important modifications were made by Bernini when he created the great colonnade that encircles the Piazza San Pietro."

Milan Cathedral
From Wikipedia

Basic information
Location Milan, Italy
Geographic coordinates 45°27′51〃N 9°11′29〃E / 45.46417, 9.19139Coordinates: 45°27′51〃N 9°11′29〃E / 45.46417, 9.19139
Religious affiliation Roman Catholic
Architectural description
Groundbreaking 1386
Year completed 1965
Specifications
Capacity 40,000
Length 157 metres (515 ft)
Width 92 metres (302 ft)
Width (nave) 16.75 metres (55 ft)
Height (max) 45 metres (148 ft)
Dome height (outer) 65.5 metres (215 ft)
Spire height 106.5 metres (349 ft)
Materials Brick with Candoglia marble

History
Milan's layout, with streets either radiating from the Duomo or circling it, reveals that the Duomo occupies the most central site in Roman Mediolanum, that of the public basilica facing the forum. Saint Ambrose's 'New Basilica' was built on this site at the beginning of the 5th century, with an adjoining basilica added in 836. When a fire damaged both buildings in 1075, they were rebuilt as the Duomo.

[edit] The beginning
In 1386 archbishop Antonio da Saluzzo began construction in a rayonnant Late Gothic style more typically French than Italian. Construction coincided with the accession to power in Milan of the archbishop's cousin Gian Galeazzo Visconti, and was meant as a reward to the noble and working classes which had been suppressed by his tyrannical Visconti predecessor Barnabò. Before actual work began, three main buildings were demolished: the palace of the Archbishop, the Ordinari Palace and the Baptistry of 'St. Stephen at the Spring', while the old church of Sta. Maria Maggiore was exploited as a stone quarry. Enthusiasm for the immense new building soon spread among the population, and the shrewd Gian Galeazzo, together with his cousin the archbishop, collected large donations for the work-in-progress. The construction program was strictly regulated under the "Fabbrica del Duomo", which had 300 employees led by first chief engineer Simone da Orsenigo. Galeazzo gave the Fabbrica exclusive use of the marble from the Candoglia quarry and exempted it from taxes.

In 1389 a French chief engineer, Nicolas de Bonaventure, was appointed, adding to the church its strong Gothic imprint. Ten years later another French architect, Jean Mignot, was called from Paris to judge and improve upon the work done, as the masons needed new technical aid to lift stones to an unprecedented height. Mignot declared all the work done up till then as in pericolo di ruina ("peril of ruin"), as it had been done sine scienzia ("without science"). In the following years Mignot's forecasts proved untrue, but anyway they spurred Galeazzo's engineers to improve their instruments and techniques. Work proceeded quickly, and at the death of Gian Galeazzo in 1402, almost half the cathedral was complete. Construction, however, stalled almost totally until 1480, due to lack of money and ideas: the most notable works of this period were the tombs of Marco Carelli and Pope Martin V (1424) and the windows of the apse (1470s), of which those extant portray St. John the Evangelist, by Cristoforo de' Mottis, and Saint Eligius and San John of Damascus, both by Niccolò da Varallo. In 1452, under Francesco Sforza, the nave and the aisles were completed up to the sixth bay.

In 1500-1510, under Ludovico Sforza, the octagonal cupola was completed, and decorated in the interior with four series of fifteen statues each, portraying saints, prophets, sibyls and other characters of the Bible. The exterior long remained without any decoration, except for the Guglietto dell'Amadeo ("Amadeo's Little Spire"), constructed 1507-1510. This is a Renaissance masterwork which nevertheless harmonized well with the general Gothic appearance of the church.

The famous "Madunina" atop the main spire of the cathedral, a baroque gilded bronze artwork.During the subsequent Spanish domination, the new church proved usable, even though the interior remained largely unfinished, and some bays of the nave and the transepts were still missing. In 1552 Giacomo Antegnati was commissioned to build a large organ for the north side of the choir, and Giuseppe Meda provided four of the sixteen pales which were to decorate the altar area (the program was completed by Federico Borromeo). In 1562 Marco d' Lopez's St. Bartholomew and the famous Trivulzio candelabrum (12th century) were added.

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