为动漫题词(好的话会追加分) 耽美辣 动漫 漫画 书 各种都要哦~答得好的话给追加分数哦~

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One of the most obvious anime "trends" that was established in this time period was the appearance of "mecha" in anime. Mecha, short for "mechanical", is the term used to describe the giant robots and machines that are typical of some anime shown today. Mecha anime has become somewhat of a sub-genre of anime itself and is one of its most common vanguards, and its roots date back to the 1970's.

One of the earliest "mecha" types of anime was "Mazinger Z", a creation of artist Go Nagai, who would go on to influence another trend in anime in later years. The story revolved around an evil mad scientist, Dr. Hell, who had found lost robotic technology and used it to build robots of destruction. To counter this, a rival scientist created Mazinger Z, a robot with a plethora of weapons and abilities. Unfortunately, the scientist was killed by the evil Dr. Hell, but not before the scientist's grandson was warned, enabling him to find and pilot the large Mazinger machine. Mazinger Z went on to spawn many episodes and feature films and was one of the most successful of mecha animes. It seemed that giant robot battles were things that drew in viewers in Japan, which explains the later success of live-action series such as Ultraman.

Another convention that began to be used in anime in the 70's was a tweaking of the conventional plot aspects that had become ingrained in anime at its inception a decade or so ago. Aside from the regular "good guy" vs. "bad guy" concept, subtle variations in storyline and character perception began to appear. The anime "Lupin Sansei" or "Lupin III" focused on a main "good guy" character with rather unscrupulous qualities (he was a master thief). The misadventures of Lupin were among some of the more prominent series during this time. "Devilman" was another anime with an "anti-hero", in that it involved a main character who possessed a demon in order to defeat other demons. These series and more would guarantee more "unconventionality" in anime, and an expansion of its characterization formulae.

Mecha and unique characterization would come together, however, in a drama/action series that was to become one of the most acclaimed anime series of all time. "Mobile Suit Gundam", first appearing in 1979, involved a war between Earth and its first space colonies, using mechanical piloted robot "suits" for warfare. These "Gundam" mechas were among one of the most loved among viewers at the time and a healthy merchandising market of models served to bolster the series' popularity. In addition to the heart-stopping battles, the thematics of war were introduced into the series. War was not without consequences, and the situations and thoughts of the characters in the series captivated audienes as much as the action did. With the success of the Gundam series, the anime movement was prepared to explode onto the Japanese (and international) scene - and it did.
80-90\u5e74\u4ee3
As the 80's came and went on, Anime began to kick into high gear. By this time, the Japanese animation medium was a national mainstay and an international cult fan favorite (known as "Japanimation"). Though the few anime series that did make it onto international shores were either very vaguely known, such as Speed Racer, or horrendously cut for public consumption, such as Robotech (made from bits and pieces of three original related mecha series in Japan, with drastic changes in storyline), the medium continued its rise.

Continuing with Tezuka's fundamental trend in telling stories as well as following the drama that was seen in such series as Mobile Suit Gundam, acclaimed manga artist Rumiko Takahashi was (and still is) one of the most prominent figures during this time period. Having first become known for her comedy work "Lum: Urusei Yatsura" ("Those Obnoxious Aliens"), which was extremely popular, Takahashi dabbled in the romantic and comedy fields, drawing and animating some of the best-known anime series of all time. "Ranma 1/2", which concentrated on a main character with the ability to change gender via hot and cold water, is still popular and is still being released today by Viz Video and ran for over 100 episodes. And today, Takahashi is adding a feather of horror to her already plentiful plume, with "Inu-Yasha" - a story containing romantic, horror, and comedy elements. The story centers around a girl who finds a well that goes back in time to ancient mythological Japan, where she teams up with a half-demon in order to save the world.

As Takahashi and others continued to develop anime's storytelling, Go Nagai, creator of Mazinger Z, and others in his vein worked to develop an aspect of anime that had until now had seen minimal exposure in some of Tezuka's manga works - that of anime for adults. Breaking from the concept that animation was supposed to be only for kids, Nagai created series such as "Cutey Honey", featuring a rather well-endowed female lead who could change appearance into any number of seductive roles, and "Kekko Kamen", a hilarious satire on superhero animations that featured, of all things, a naked superheroine. This and other "adult anime" have been said by some to be a blessing and a curse - while it does add another dimension to the medium, it also fuels one of anime's greatest stereotypes of being nothing more than "animated pornography". Regardless, Nagai's work helped to expose the anime medium to even more types of fans.

The number of well-known anime series had doubled, if not tripled, from the early 70's, as companies like Shogakukan/Kitty Films and Pioneer joined the already-established Toei Animation and Tezuka Productions. But the final establishment of anime's national and international presence was yet to come. Two milestones in the history of anime were created during this already booming time period. The first of these was "Akira" released in 1988 to worldwide acclaim. Set in apocalyptic Tokyo, the film featured a motorcycle gang that faces internal strife after their discovery of a child with psychic abilities. Ultimately this struggle has more to it than meets the eye as the military, government scientists, and resistance movements become involved. With its incredible, somewhat gory animation, action, and gripping storyline, Akira became one of the best-known anime feature films not only in Japan, but all over the world, and is one that some anime fans will say got them into the genre in the first place.


1995 brought with it the second milestone in anime - Masamune Shirow's "Ghost in the Shell", another feature film set in a cyberpunk-like era. In this age, humans are enhanced with cybernetic parts and have mastered the ability to travel through an internet-like sea of information, another realm that exists beyond the human one. Thrown into this is agent Motoko Kusanagi, ordered to stop a mysterious being that is able to travel the virtual world without a body, hacking into and destroying anything and anyone who tries to stop it. However, her connection with the mysterious entity known only as "Puppet Master" may change her forever. Released worldwide, Ghost in the Shell received as much, if not more, acclaim than its predesscessor Akira and helped to solidify Japanese anime as the ultimate alternative medium to conventional animation. By this time, a healthy fan base had grown even on international shores where Disney and the Looney Tunes were the norm. Anime had finally returned to stand with its roots.
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Today, anime is alive and well, but also continuing to evolve and grow. In Japan, new series are shown on TV networks every day, with seemingly no end in sight, and well-established studios such as Toei still stand among newer animation studios to create new and exciting anime series. Though in 2001, an economical recession seems to have hit Japan, the anime medium is chugging along nicely, at least from an international point of view. The continued release of anime in Japan ensures its life even in the face of economic hardship.

Internationally, and especially in the West, the anime movement has grown to new heights at the start of the 21st century. Companies such as Bandai Entertainment, Viz Video, ADV Films, and Pioneer have become larger and more profitable than in previous years, able to release many popular series from Japan in both VHS and the new DVD format. An increasing fan base and plenty of future appealing releases has legitimized the existence of these tireless individuals who work to bring Japanese animation to other shores, in original Japanese and dubbed formats. The internet boom has also served to fuel awareness of anime, with sites like our own AnimeInfo.org and others helping to inform and cultivate interest in the medium, and others like Rightstuf.com and Animenation.com serving as vendors for anime-related merchandise. Anime conventions in the USA, such as the West Coast's Anime Expo, Midwest's Anime Central, and East Coast's Otakon have also been a factor in brining together anime fans of all ages in appreciation of the near 50 year old medium.

In the general public eye, anime is still making progress as a properly recognized medium. Though stereotypes and misrepresentations (as well as fair and objective stories) are still present in the mainstream media, the recognition of anime has still made progress from its roots in the 70's and even from the boom of the 80's and 90's. Akira, the 1988 cult hit, is being remastered for release worldwide and should be out very soon. Recent animated feature films "Perfect Blue" and "Princess Mononoke" have piqued the curiosity of many people not very familiar with anime (and in the case of "Princess Mononoke", mainstream actors were even cast as English dub voices). And Cartoon Network's Toonami, while criticized by some anime fans for broadcasting heavily edited and watered down anime series, has nevertheless served as a huge influence in the past year or so to bring in new anime fans, with its broadcasts of the "Tenchi Muyo" series, "Dragonball Z", "Gundam Wing", and "The Big O", among others.

With these and many more factors in place, the outlook looks very good for anime as it works to stay a fresh and exciting medium for many fans both nationally and internationally. The history of anime is a very progressive one, showing a medium that has changed and evolved so much over the years. The future, perhaps, may bring us to even more changes to benefit Japanese animation and its many fans.

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  地狱少女 彼岸花
  作者: 阎_魔_爱
  彼岸花的彼方
  何时才能挽住明朗,留下光芒?
  少女红眸的寂殇
  带走彷徨,流向神往

  作者: 蔷薇铁十字
  脉脉斜晖盈彼岸,
  彼岸花开半。
  樱桃犹青涩,
  下弦月歪,
  未能守红来。

  锦衣夜行人稀处,
  有落樱满簇。
  谁愿为之驻,
  地狱少女,
  终是惘然顾。

  作者: 若玲若兰
  .
  .
  .
  风
  乍起
  荡悠悠
  蝶舞依然
  晦涩的呼唤
  樱树下的女孩
  有如血樱的瞳孔
  要不要死一次看看
  彼岸花还是无声绽放
  诡异的笑容会终结怨恨
  开始一场盛大的地狱之旅
  叹息的船上有爱的阴冷
  流向地狱的可悲灵魂
  复杂的表情望着她
  单纯可爱的面庞
  深沉的和服下
  茫然而无奈
  地狱少女
  阎魔爱
  等待
  爱
  .
  .
  .
  作者: 蔷薇铁十字
  烟火已残,
  蔓茱沙华依然。
  清辉漫,
  红眸却暗。
  灯影随波定难安。
  菱花镜寒,
  素颜胭脂淡。

  料想凡世乱,
  思绪漫缠。
  长河畔,
  木桥已断。
  水流转,
  何处是彼岸。
  风舞菡萏,
  沁芳全消散。
  作者: 蔷薇铁十字
  声声慢

  红了樱桃,却蹙眉梢,流年漫漫难熬。窗棂凸凹,深锁隔世喧嚣。凡世愁怨深恼,怅廓廖、烧花锦袍。浮光韶,难拍岸回潮,怎生得绕。
  蔓茱沙华妖娆,下弦月朗耀,长发飘摇。心事谁晓,欲言又止却笑。脱笼之鸟翔翱,容姿傲,心惟愿效。然只道,恨萋草,缚足轻悄。
  作者: 阎魔轨ㄣ
  红瞳

  暗淡失色的光 带着屡屡温柔
  宛如天边夕阳的昏暗
  从未失过色的晶莹瞳仁 含着点缀的水珠
  在夕阳的残缺下 隐隐点亮
  带着温柔与悲哀的红光 在夜晚凄凉的鸣叫
  谁能了解 那种颜色下的黑暗与悲凉

  桔梗
  作者: 带着量杯看大海
  "桔梗花开代表幸福再度降临.可是有人能抓住幸福,有的人却注定与它无缘,抓不住它,也留不住花.于是桔梗有着双层含义___永恒的爱和无望的爱."渴望爱情而又无法得到爱情,这也许是犬剧中那个美丽而寂寞的巫女最恰当的的写照。

  作者:梦落斜夕
  一个波光潋滟的梦。梦里,有白衣红裙的她,梦里,有金瞳银发的他,梦里,有离离地纠结着的命运,梦里,有着他们的地老天荒。

  她是巫女,一把弯弓,一身孑然,凡人的礼膜跪拜,乡村的一隅安宁,这,变是一切了。

  作者: 绫幽恋桔
  曾经。
  尽赋欢颜。
  我见你端庄肃穆的脸庞渐次旋开笑容,红叶漫洒秋霜四季,勾勒了那些朝露镀造的流年。
  那时,你着白衫红裙,风动衣襟,长发飞扬。
  什么人左躲右藏始终尾随,用他执着的双眼注视着你的背影。你不屑一顾,转身过后却有东西在心里悄悄的改变。
  朗月晨星,遍地桔梗花开。
  他唇齿依偎,音节暗扣,犹犹豫豫唤你名字,落得满口余香。
  水过无痕,荡舟河上,涟漪微波轻轻漾,摇摆不定的感觉就像你并不确信的心事。
  柔软真切的,鼓涨开毫无理性的想象。

  执手相握的一刻,暖意盎然。
  唯有于他面前,你不是高高在上的巫女,仅仅是一个平凡的女人。
  暗夜烛台,偶尔灯花四跳,少女怀春总当情怯。
  你一针一线一珠一念,念念心心结下事关永远的誓言。
  胭脂红,烟黛眉,含笑青葱,前尘渺渺似忘。
  淡蓝的光辉映你隐隐窥见的幸福。
  SOLA
  动新SOLA完结纪念

  都说寂寞最伤人

  伤透了一池春水,倾覆了鸳鸯织锦欲双飞,徒留死水止波澜,伤绝歌女心。伤透了一树樱花,惹得缭乱飞舞,渐欲迷了人眼,在马蹄声远去中,颓然苍老发染霜。伤透了一群路人,泪光滑别离,衣袖盈风更孤单。
  更孤单。更寂寞
  更寂寞,更孤单。
  所有得爱恨情伤,所有的欢笑嗔怒,不过是寂寞的人在歌唱着寂寞的歌谣。抬头望去,晴空下的夺目耀阳,写意的勾勒了几抹浮云。于是,天空静谧人安详,寂寞的行走,寂寞的歌唱,寂寞的空想。
  谁人不感伤?
  Sola,天空,流云变幻,清风游荡,何等美丽,何等欢畅。
  我们一直忽视着身边最美妙的事物,其实只要抬起头来,就能看见亿万年都不曾凋谢过的精制和永恒。
  即便有一天我们凋谢了,这片天空还是依旧的精致永恒。

  都说寂寞最伤人。
  伤透了夜归浪子,挑一盏如豆油灯,昏昏然的催促了脚下的步子迈的更加轻快。
  伤透了故人重游,在夜市里戴一朵桃花,无端的模糊了面容,即使擦肩再不相识,空留花朵笑春风。
  伤透了燕雀狡狐,鸟飞返故乡兮,狐死必首丘。
  谁人不识寂寞?
  谁人不晓寂寞?
  谁人不怕寂寞?
  在那些寂寞着不停歇的岁月里,我们或许都会静静的睡在天空之下,期待着与那个会与我们相拥抱的人重逢。
  下一次重逢,将是何年何月?
  天空必将见证。 (有删节)
  这里看全文
  http://post.baidu.com/f?kz=249717164

  圣母在上
  蔷薇:

  英文Rose,泛指蔷薇科,
  它的花语代表爱情和爱的思念。
  盛开的蔷薇给予人对爱情的憧憬,
  然而爱情不只是一场美丽的梦,
  花虽然会凋谢,
  心中的最爱却永不凋零!
  蔷薇就是恋的起始、爱的誓约。
  人工栽培的蔷薇花并不会结果,
  不过野蔷薇却会长出娇艳欲滴的红色果实。
  除了模样可以与玫瑰花媲美外,
  果实也可以食用,还有药用价值。
  蔷薇花语:美好的爱情,爱的思念。
  各种蔷薇花语:
  红蔷薇--热恋;
  粉蔷薇--爱的誓言;
  白蔷薇--纯洁的爱情;
  黄蔷薇--永恒的微笑;
  深红蔷薇--只想和你在一起;
  粉红蔷薇--我要与你过一辈子;
  圣诞蔷薇--追忆的爱情;
  野蔷薇--浪漫的爱情

  如果,下雪就好了。
  等着那个人的罪恶深重的这个身体,被白色的雪连同这个温室一起覆盖起来就好了。
  如果这样的话,说不定玛利亚大人会多少有些原谅吧?!

  因为是凡人,谁都会犯错误。
  可是,在漫长的人生中,有时也会犯下不可挽回的错误。
  BLEACH
  龙贵
  作者: Jirage
  当往事变成了心底的尘埃,回忆逐渐模糊不清.顽石沉入海底,沧海变成桑田.你和你的新伙伴们踏上了未知的路途,迎接着新的人,新的事物.你是否还会记得曾经有一个青梅竹马的女孩.
  你是否会知道她一直偷偷的爱慕着你?
  露琪亚,海燕
  就像染成鲜红色的天空、恬静地,心的确在那方……
  一段错过的感情,应该用什么挽留才好……

  白哉:宿命点中的强者,依然拥有脆弱,失去勇气与力量,不愿面对,不敢面对,选择逃避。

  世界上什么东西最奇妙呢?那就是人与人之间的感情,不管是现世还是尸魂界,他们的感情扣动了我们的心弦。
  PS:
  只能找到这些。

  大剑
  作者: 恶魔留下的泪
  艾莉娜
  一步一步的向你的所在地走去,慌乱,迷惘,痛苦,恐惧,悲伤,一切负面的情绪溢满了脑海。不敢面对,害怕相遇,心里在抗拒,身体在抗拒,却也不得不走向等待着我的你。
  回想起,成为真正大剑的前夕,迪妮莎的血肉融入身体时的痛苦,无法入睡在哭泣,是你,拥抱着我,轻声安慰:“没有关系的,这样就没有关系了!”是你,让我忘却疼痛,从悲伤中睡去。那样温柔,善良的你,是否从时间里逝去。
  停下徐缓的脚步,看着眼前出现的你,阳光从你的背后照射着我,看不见你的表情,却看见你身后那座废墟的孤寂。微风吹抚着你的长发,我征在那里,多少次想象着和你再一次相遇,此时此刻却是如此的身不由己。
  珍
  血的味道,微笑的脸,幸福的表情,止不住滑落的泪滴。
  滚烫的泪水温暖不了你的脸,俯首在你的胸前,感觉不到心脏的跳动,你离开我了,此时此刻,真实的感觉到,我的世界,再也看不到你的身影。

  全金属狂潮
  虽然自己都还不知道该怎麼做,一点头绪也没有,连个该如何做的方法也都还没有想出来。

  但彷佛有什麼东西一直深藏在细胞之中,彷佛心中一直有股强烈的声音在告诉著他。
  【办得到的!】
  【要继续战斗下去!】
  所以-------------
  『所以,到时候,她回来时...就拜托你们迎接她了。』

  宗介就此转身,走出教室,在平时很熟悉的走廊上走著,然后穿过了中庭,走出了学校的大门。宗介他一直都没有停下脚步,就这样一直走向远方.....
  对,就这样一直走向远方吧-------

  灰色的天空,远方传来阵阵海浪破碎的声音。

  无人的墓地滨临Portsmouth近郊海岸,十字架行列绵延不绝地向远方延伸。

  僵尸借贷
  作者: 滟寒
  逆月伤(芝知&思知)

  曾经想过,如果此世界会消失宛如沧海桑田,是否,忘记会比较幸福。
  遗忘你银白的发和璀璨的眸。
  宛如,遗忘我一生唯一的光芒。
  寂寞,宛如心口的雪

  关于芝的感想
  "我想起了那些漂流在生,爱和死的溪流上的其他时代,它们已被遗忘,我感到了离开尘世的自由."

  爱或死,又被所谓的自由束缚了么.是谁,教会了谁去祈盼明日和暖的的阳光.
  那么,你的世界完美么?尽头是黑色还是金色?就这样划下一道又一道的刻痕.你受伤了么?残忍,自私,绝望,多动听的词啊,与自由一样.
  如果从此再无羁绊,再不反悔,再没希冀.末日是世界尽头,璀灿的金色,耀眼的金色发,向死亡还是谁发出的邀请,最后的答覆是宁死也要刻下的话语.只是,这么一句话而已,想去,另一个地方,和你.
  多年前的曾经,不需要回忆,不是么?不屑摆出受伤的表情,即使是在那个人面前.那还有没有遗忘什么,爱,或死.回到原点.拥入怀中的一直是周遭寂寞的空气,只是那时不太习惯,没有这么一个人在身旁.
  重逢意味着什么?再次分别.
  带着伤痕的心,疲惫了,就再也放不下,再也拿不起,为了自由还是谁?
  叫你...蝶么,美丽的你,以及破碎的印记.
  是否身不由己,恨不得让那个人再死一次,改变了人生的羁绊,和再也没有意义的生离死别.不过是一具僵尸罢了,只是一具僵尸罢了.流过泪么?那是多久之前的事,死之前还是死之后,天是否依然蓝得滴水?相遇,分离,再相遇,再分离,无止尽的轮回.短暂的一生是场好梦,若即若离的身影嵌入红色瞳孔中,再也记不起,再也忘不掉.
  所谓人生到底是什么?孤独,受伤,光芒,希望.接着戛然停止,再次受伤,如再次获得自由般放肆.锁骨下方的印记无论烙下了什么,都只会愈发地冶艳.
  从此再无思念,抛弃自由的信仰.
  你到底,在想什么?
  芝.

  "压迫着我的,到底是我那想要出走的灵魂,还是那轻敲我的心扉,想要进来的尘世之魂呢?"

  旋风管家
  动新上的,我打给你:有删改。
  我不会做饭。
  我不会打扫。
  我不会温顺。
  我并不想对你大呼小喝的。
  我名义上是你的大小姐,但我从未把你看作是低我一等的人。
  因为啊,自从在那个雪夜里被你牵了手后,我才明白了什么叫做长大,
  你说过会一直呆在我身边的——不管天涯海角,刀山火海。
  你知道么,正是因为家里有个可靠的管家,我才想和你呆在同一屋檐下,编织同一个梦想。
  你会一直陪在我身边的,对不对?
  被你牵过的我的手,我再也不想要别人来牵。
  从现在到未来。从过去到永远。在这个无限大的时空里,我喜欢的,从来只有你一人。

  楼主啊。找的好辛苦的!我到贴吧里找文,一篇一篇看完,再找些好句子摘过来。还得找现成的书给你打。
  看看够不够吧,不够了再找。

那个……请问是要写文吗?
我试试吧……
sola:仰望,那片天空,两个人共同为我撑起的,天空……
枣:眸子里的火焰,燃烧着,照应着她的脸……
……我的脑细胞死掉了……
LZ看着用用吧?

初音岛,
樱花灿烂时,相约树下,许下心愿

樱花凋谢时,再聚树下,立下誓言

樱花又开又谢,不变的是永远在一起

犬夜叉,
月圆之夜的美男子,哈哈~

小鸟翱翔天际,
寻找自己的天空.
朝阳缓缓升起,
射出万道金光,
为大地带来无限生机.
落野随风飘扬,
碾转于大地之家.
花朵迎光盛放,
渲染蓬勃生机.
歌唱青春之歌,
伴随秋风,
萧瑟于梦幻之中,
落日渐渐沉入,
宣告童年的离去,
迎接自立的年代,
为青春的无限生机奋斗,
昂扬青春歌符,
展翅飞翔,
创造自己的梦.
本田透你要努力创造自己的梦哦!

草摩绫女

萋萋芳草,维摩不染黄昏雨
绫绫轻颦垂杨里,前身入世冷
惜诗风骨铮铮,留月在,名空千里
旧时旧日,旧情旧事,念念忘忘
星星点点,谁书恨恨青冥处
谁记离离歌金缕,沁梅香袭人
更添妩媚颜色,梵经唱,南山路短
行客无限,憔悴无穷,春风照旧

《死亡笔记》,月L:人生若只如初见

(L月也行的...默...表打...某只腐女自行爬过...)

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