“昆曲”的英文？
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Kunqu (\u6606\u66f2; pinyin: K\u016bnq\u01d4; Wade-Giles: k'un-ch'\u00fc), also known as Kunju, Kun opera or Kunqu Opera, is one of the oldest extant forms of Chinese opera. It evolved from the Kunshan melody, and dominated Chinese theatre from the 16th to the 18th centuries. Kunqu originated in the Wu cultural area.
History
Kunqu boasts a 600-year history and is known as the "teacher" or "mother" of a hundred operas, because of its influence on other Chinese theatre forms, including Jingju (Peking Opera). Its emergence ushered in the second Golden Era of Chinese drama, but by the early twentieth century it had nearly disappeared, which was only exacerbated by deliberate attempts to suppress it during the Cultural Revolution.
One of the major literary forms of the Ming and Qing dynasties was chuanqi drama, originating from the South. Chuanqi, an old form of dramatic opera, originates from the nanxi in late 14th century before the kunqu opera arises. However, in late 16 century, kunqu opera starts to dominate large part of Chinese drama. [1] Plays that continue to be famous today, including The Peony Pavilion and The Peach Blossom Fan, were originally written for the Kunqu stage. In addition, many classical Chinese novels and stories, such as Romance of the Three Kingdoms, Water Margin and Journey to the West were adapted very early into dramatic pieces.
Today, Kunqu is performed professionally in seven Mainland Chinese cities: Beijing (Northern Kunqu Theatre), Shanghai (Shanghai Kunqu Theatre), Suzhou (Suzhou Kunqu Theatre), Nanjing (Jiangsu Province Kunqu Theatre), Chenzhou (Hunan Kunqu Theatre), Yongjia County/Wenzhou (Yongjia Kunqu Theatre) and Hangzhou (Zhejiang Province Kunqu Theatre), as well as in Taipei. Non-professional opera societies are active in many other cities in China and abroad, and opera companies occasionally tour.
Kunqu was listed as one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO in 2001. Its melody or tune is one of the Four Great Characteristic Melodies in Chinese opera.
Repertoire
* The Peony Pavilion (Tang Xianzu)
* The Peach Blossom Fan (Kong Shangren)
* The Palace of Long Life (Hong Sheng)
* The White Snake
* The Western Mansion (Southern version, adapted from Wang Shifu's zaju)
* The Injustice done to Dou E (adapted from Guan Hanqing's zaju)
* The Kite (Li Yu)
[edit] Dramatists
* Tang Xianzu
* Kong Shangren
* Li Yu
* Hong Sheng
* Feng Menglong
Performers
* Yu Zhenfei
* Mei Lanfang
* Zhang Jiqing
* Wang Shiyu
* Yue Meiti
* Liang Guyin
* Cai Zhengren
* Ji Zhenhua
* Jennifer Hua Wenyi
* Qian Yi
[edit] References
Kunqu (\u6606\u66f2; pinyin: K\u016bnq\u01d4; Wade-Giles: k'un-ch'\u00fc), also known as Kunju (\u6606\u5267), Kun opera or Kunqu Opera, is one of the oldest extant forms of Chinese opera. It evolved from the Kunshan melody, and dominated Chinese theatre from the 16th to the 18th centuries. The style originated in the Wu cultural area. It is listed as one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO since 2001.
from Wikipedia \u552f\u57fa\u767e\u79d1
http://en.wikipedia.org/wiki/Kunqu
因为我才初2.
不知道翻译的对不对.
请多见谅.希望能帮上忙.
昆曲
kūnqǔ
[Kunqu opera]
流行于中国江苏南部(南昆)及北京、河北(北昆)等地的剧种,用昆腔演唱
Kunqu opera
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绛旓細Beijing Opera, also known as Peking Opera, Beijing Opera, China's most influential operas, located in Beijing as the center, throughout the country. Qing Dynasty Emperor Qianlong from the 55 years celebration of the original three performances in the South, Sixi, spring and spring ...
