求《碟中谍4》英语观后感！！！500字即可！谢谢谢谢！！！！！！

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Mission: Impossible \u2013 Ghost Protocol is the forth film in the franchise (though first not to acknowledge its place in the title) and sees Tom Cruise reprising the leading role of the globe-trotting super spy Ethan Hunt. Throughout the series Hunt has evolved from team player to lone wolf and now in Ghost Protocol he must become a true leader of a team that, for the first time, he didn't choose.

The film blasts off into overdrive from the minute the gates open and rarely lets up, it's one hell of a ride and there's enough action and gadgets here to please any fan of the spy film genre. The plot is fairly straightforward; the bad guy obtains the key to the ultimate weapon and plans to destroy the world with it. Hunt and his team, working without the support of the IMF, must stop him at all costs. It has enough twists and turns to keep you engaged but it never gets so complicated that you risk getting lost while you're immersed in the mind- blowing stunt sequences. One thing fans of the series will probably notice this time around is that Hunt is more 'human' when it comes to the action than he has been in most of the previous outings. Not everything goes to plan and if he gets hit or falls down it hurts. Sure he's still a super spy and can do things most mortal men would never try in a million years but the added vulnerability and consequences of those actions gone wrong lifts the film to a new level and is one of the reasons it kept me on board all the way to the end.

If there is anything about this film that let me down a little it was the absence of a true 'super villain' like we had in MI3. Yes there's a villain and yes he's dangerous but there is something missing. I guess I could put it this way \u2013 there is no, Joker to Hunt's Batman. In MI3 things get very personal between Hunt and Owen Davian (Philip Seymour Hoffman) and that jacked up the menace and intensity of the conflict to a level you'd expect to see in the ultimate villain but in M:I-GP that level of personal rivalry between protagonist and antagonist was a bit lacking. It's not that Michael Nyqvist (The Girl with the Dragon Tattoo) didn't deliver a good performance in the few scenes where he interacts with Cruise, it's just that there are so few of these moments that he is, in many ways, almost like another one of his own henchmen and I mistook him for other characters on a few occasions.

Personally I felt a greater presence and sense of danger from the female assassin, Sabine Moreau (Lea Seydoux \u2013 Robin Hood), a beautiful yet malicious woman with a cold heartless gaze, completely devoid of compassion. In my opinion she'd have made a much better leading villain, especially as her actions do personally effect one of the team, but despite this little hiccup there is certainly more than enough obstacles to keep Hunt and his team busy and the audience well and truly entertained so this is really just nit-picking on my part.

After the relative disappointment of the second Mission: Impossible film, first time feature director J.J. Abrams (of TV's ALIAS and Lost fame) injected some much needed heart and soul into the third installment, expertly balancing a romantic subplot with the high-octane action sequences all fans demand of such a film. Although Abrams was not going to direct the fourth film it was reassuring to see that he was still involved as a producer so I had relatively high hopes that Ghost Protocol would live up to MI3 and I wasn't disappointed.

Like MI3 before it Ghost Protocol's director's chair is filled with another first timer of sorts and like the previous chapter that 'gamble' has paid off. Although Brad Bird is not a first time feature helmer this is his first foray into the world of live action so he might not seem to be the most obvious choice but there was never any doubt from either Abrams or Cruise about his talent and potential to deliver a great film. Bird's impressive previous credits include The Iron Giant, The Incredibles and Ratatouille (the last two having won Academy Awards for best Animated Feature Film). Like Abrams, Bird has also had great success on the small screen as an executive consultant on the Simpsons and I've been a fan of his work since chancing upon Family Dog (from Spielberg's 'Amazing Stories' series) in the early 90's.

Simon Pegg (Paul) reprises his role as Benji Dunn from MI3, the computer whiz behind all the action. Dunn has now graduated from a 'behind the desk cameo' to a fully qualified field officer and as a result gets a much beefier role in this mission becoming one of Hunt's rogue team. Pegg's natural comedic timing and likable charm adds a much-needed element of lightheartedness to the franchise that could have easily backfired had this role been miscast.

Rounding out the new team are IMF agents Jane Carter (Paula Patton \u2013 Deja Vu) and William Brandt (Jeremy Renner \u2013The Hurt Locker), and both actors deliver solid performances. Carter is as sexy as she is deadly and Patton slips between these two persona's with ease while Brandt hides a secret past allowing Renner to show a vulnerability we're not used to seeing in the roles he normally plays.

Mission: Impossible \u2013 Ghost Protocol delivers exactly the type of entertainment action fans crave and as a result it is perfect popcorn movie. If you don't enjoy this ride then entertaining you is a mission: impossible.

Tom is the best agent as in the past, good! From the first set to take fifth sets of mission impossible series, is still a good reputation at the box office. Tom Cruise film although some traces of time, acting skill is still powerful aura of charm posture. This set of elements, is still the hero, friends, beauty agent team, bad boss, terrorist organization. The plot is compact, interlocking, action design too much!Ethan begins hanging outside the aircraft take-off, rely on his remote control to open the door machine, into the aircraft intercept missiles of terrorist organizations neurotoxin, condition continuously, let a person nervous to shortness of breath! In addition, Ethan was arrested by women help bail out, opera in the Turandot music background serial assassinations, dive deep and change CI card task, riding a heavy machine chases, design kidnapped British Prime Minister, and terrorist organizations, battle of wits, the entire movie and circumstances of the action design are very exciting. Special recognition of the Rebecca Ferguson played into the terrorist organization of the British female agents, a few games, the action of smart, very good-looking! Beautiful, intelligent and courageous woman, very attractive.However, I feel not good enough to see the villain, high iq. All focus on female spy who sneaked into the organization, other people are muscular men be more brave than wise.
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Falling Off Skyscrapers Sometimes Hurts a Bit By MANOHLA DARGIS Published: December 15, 2011 What makes Tom Cruise run — run harder and run faster, leaping from one building and dangling off another, the world’s tallest — as he does to exhausting, unnerving effect in “Mission: Impossible — Ghost Protocol,” his latest exercise in extreme performance? The fourth in the franchise, this “Mission” has a solid cast, including a notable new co-star in Jeremy Renner; a new director, Brad Bird; and a story that’s as nonsensical as any in the series. Mostly, though, it has Mr. Cruise hurtling through the movie as if his life depended on it, which, to judge by the hard line of his jaw, his punishingly fit body and the will etched into his every movement, may be what’s at stake. It’s fitting that Mr. Bird, the director of the Pixar movies “The Incredibles” and “Ratatouille,” has taken over the reins of the franchise for his live-action directing debut. The “Mission: Impossible” movies belong to that outlandish, sometimes cartoonish class of action adventures in which lesser, Bond-like heroes walk or race from fiery explosions in between locking and loading, kissing and killing, and killing some more. The films, spun off the 1960s television show, fondly remembered for its rubber masks and Lalo Schifrin’s brilliant, pulsating theme music, added Mr. Cruise, who in the 15 years since the first installment has tumbled from his top spot as the world’s biggest movie star to lag behind neo-action figures like Leonardo DiCaprio and Johnny Depp. Mr. Cruise may be somewhat down (certainly his smile has dimmed), yet he’s scarcely out. That’s partly because of Mr. Bird, who has given this movie a self-aware levity that’s intended to clear away the bummer blues of the last “Mission,” five years ago. Directed by J. J. Abrams, who is also a producer of this movie, the third film skewed the series too dark with a nihilistic baddie (chilled to shivering by Philip Seymour Hoffman) and a nightmarish torture scene. It also burdened Mr. Cruise’s character, Ethan Hunt, with a wife (Michelle Monaghan), an unwise move — American action heroes, latter-day fantasies of our native rugged individualism, walk alone, not down the aisle — which suggested that the soon-to-be-remarried Mr. Cruise was borrowing a chapter from his own life. The new movie, written by Josh Appelbaum and André Nemec, both alumni of Mr. Abrams’s television show “Alias” (mostly), ditches the wife and gets back to action basics with globe-trotting, nifty gadgets, high-flying stunts and less loquacious villainy (Michael Nyqvist). (It was also partly shot in Imax, which doesn’t really enhance anything.) Ethan, after being broken out of a Moscow prison, where he had been idling among hordes of bull-necked Ivans and Igors, sets off on another mission with an old teammate, the tech whiz Benji Dunn (Simon Pegg), and the obligatory pretty lady, Agent Jane Carter (Paula Patton). The mission goes bust and boom, as does a debriefing with Ethan’s boss (Tom Wilkinson, uncredited), whose murder finds Ethan and his team blackballed (if still sleuthing) and keeping company with an intelligence analyst, William Brandt (Mr. Renner). Mr. Renner, who played the main bomb specialist in “The Hurt Locker,” eases effortlessly into the blockbuster register, where star charisma and presence like Mr. Cruise’s matter more than emotionally selling a scene. Mr. Renner has to do some actual acting because of the role (surprise: there’s more to Brandt than a suit), and his low-key performance is a dividend in a movie in which almost all human interactions take exaggerated form, with more throttling than talking, or so it seems. Mr. Renner isn’t an obvious action type — he’s good-looking rather than roguish or boyishly pretty — but as soon as he rolls up his sleeves and picks up a gun, it’s obvious that he’s qualified for the job. For his part, Mr. Cruise seems comfortable resuming his franchise duties, though there’s a palpable difference in his affect, even from the last movie. He still radiates intensity bordering on mania, but without the familiar “what, me worry?” air of invincibility. Maybe it’s age: he turns 50 next year, or perhaps Mr. Bird’s approach doesn’t sit well with him, even if it also fits. The wolfish Cruise smile seems tighter, at times reluctant, despite Mr. Bird’s efforts to lighten the mood with banter (much of it supplied by a chattering Mr. Pegg). Over the years Mr. Cruise, a divinely superficial presence in pop fodder like “Top Gun,” has grown progressively heavier, weighted down by stardom, ambition and the misstep of turning his personal life into a public drama. At times he can feel leaden. Unexpectedly, though, his age and inescapable gravitas work for “Ghost Protocol,” partly because they invest the outrageous stunts with a real sense of risk. Mr. Cruise’s primary job in the “Mission” series is to embody a not-quite-ordinary man whose powers are at once extraordinary and completely believable, a no-sweat feat in the first few films. Here, however, when Ethan ziplines off a building onto a truck and then rolls hard onto the street, Mr. Bird — while borrowing more than a little from the “Roadrunner” cartoons — also makes you aware of the fragility of the body ricocheting on screen, absorbing every blow for your entertainment. And when Mr. Cruise hangs off the even taller building, what you see isn’t just a man doing a crazy stunt but also one poignantly denying his own mortality. “ Mission: Impossible — Ghost Protocol” is rated PG-13 (Parents strongly cautioned). Largely bloodless, if at times extreme, violence, including gunplay and a fatal push from a skyscraper. Those with acrophobia beware.

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绛旓細纰熶腑璋4 :Mission Impossible 4:Ghost Protocol is one of the best action movies I have ever seen recently.Although I have not seen any of the three installments Of Mission Impossible,but after watching MI 4 I am surely going to watch the three installments.I must say,Mission Imposs...

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绛旓細If there is anything about this film that let me down a little it was the absence of a true 'super villain' like we had in MI3. Yes there's a villain and yes he's dangerous but there is something missing. I guess I could put it this way 鈥 there is no, Joker to ...

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绛旓細纰熶腑璋4:Ghost Protocol-Whatever that means, has laid down the ghosts of MI-II and III. They were good but not this good. Brad Bird's directorial debut shows that he's equally comfortable in a live action movie as he is doing an animated feature. The script chosen is top n...

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绛旓細2011 What makes Tom Cruise run 鈥 run harder and run faster, leaping from one building and dangling off another, the world鈥檚 tallest 鈥 as he does to exhausting, unnerving effect in 鈥淢ission: Impossible 鈥 Ghost Protocol,鈥

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