喜福会母亲与女儿之间的关系 喜福会的读后感，分别描述四对母女之间关系然后有点看法
\u6025\u6c42~~\uff01\uff01\u300a\u559c\u798f\u4f1a\u300b\u4e2d\u6bcd\u4eb2\u548c\u5973\u513f\u7684\u6027\u683c\u5206\u6790Woo Family
Jing-mei (June) Woo - Jing-mei Woo is the newest member of the Joy Luck Club, having taken her mother Suyuan's place after her death. The other members of the Joy Luck Club give her money to travel to China so that she can find her mother's long-lost twin daughters, Chwun Yu and Chwun Hwa, and tell them Suyuan's story, but Jing-mei fears that she is not up to the task. See \u201cAnalysis of Major Characters.\u201d
Jing-mei (June) Woo (In-Depth Analysis)
Suyuan Woo - Suyuan Woo was Jing-mei's mother and the founder of the Joy Luck Club, a group of women who come together once weekly to play mahjong. She started the club in China, in the early days of her first marriage. During her flight from a war-torn area of China, Suyuan lost her twin daughters, Chwun Yu and Chwun Hwa. In San Francisco, Suyuan revived the Joy Luck Club with Lindo, An-mei, and Ying-ying. See \u201cAnalysis of Major Characters.\u201d
Suyuan Woo (In-Depth Analysis)
Canning Woo - Canning Woo is Suyuan's second husband and father of her daughter Jing-mei. He met Suyuan in the hospital in Chungking, where she recovered from her flight from Kweilin. After Suyuan's death, he travels to China with Jing-mei to meet her children.
Wang Chwun Yu and Wang Chwun Hwa Chwun - Yu and Chwun Hwa are Suyuan's twin daughters by her first husband, Wang Fuchi; they are the half-sisters of Jing-mei. When an officer warned Suyuan to go to Chungking with her daughters to be with Wang Fuchi, Suyuan knew the Japanese were going to invade Kweilin. After many hardships and the onset of dysentery, Suyuan was forced to leave the twins by the side of the road, but Jing-mei and Canning are reunited with them at the end of the novel and tell them their mother's story.
Jong Family
Lindo Jong - Lindo is a member of the Joy Luck Club. She teaches the power of invisible strength to her daughter Waverly, instilling in her the skills that contribute to Waverly's talent in chess. She fears that in trying to give Waverly American opportunities, she may have undermined her daughter's Chinese identity; Lindo also fears that she herself may have become too assimilated. See \u201cAnalysis of Major Characters.\u201d
Lindo Jong (In-Depth Analysis)
Waverly Jong - Waverly is the youngest of Lindo and Tin Jong's children. She has always been a model of success, winning chess tournaments as a child and eventually building a lucrative career as an attorney. Jing-mei has always felt a rivalry with her, somewhat imposed by their competitive mothers. Much of Waverly's talent in chess stemmed from her ability to hide her thoughts and channel invisible powers. Waverly fears what her mother will say about her white fianc\u00e9, Rich. See \u201cAnalysis of Major Characters.\u201d
Waverly Jong (In-Depth Analysis)
Tin Jong - Tin is Lindo's second husband. He is the father of her three children: Vincent, Waverly, and Winston.
Vincent Jong - Vincent is Lindo and Tin Jong's second child. When he received a secondhand chess set at a church-sponsored Christmas party, his sister Waverly discovered her interest and talent in chess.
Winston Jong - Winston was Lindo and Tin Jong first child. He was killed in a car accident at the age of sixteen.
Huang Tyan-yu - Tyan-yu was Lindo Jong's first husband, in China. His mother was Huang Taitai. When Tyan-yu and Lindo were one and two, respectively, a matchmaker arranged for their marriage. Pampered and self-centered, Tyan-yu makes Lindo's life extremely unpleasant when she comes to live with his family at the age of twelve. When Lindo is sixteen, they get married, but Tyan-yu remains very much a boy. He has no desire for Lindo, but he is too afraid to admit it.
Huang Taitai - Huang Taitai was Tyan-yu's mother. When Lindo came to live in her household at the age of twelve, Taitai trained her to be the epitome of the obedient wife. Domineering and tyrannical, Taitai made Lindo's life miserable and ignorantly blamed her for the fact that Lindo and Tyan-yu had no children.
Marvin Chen - Marvin was Waverly's first husband and is the father of her daughter, Shoshana. Waverly's mother Lindo was very critical of Marvin, always pointing out his faults. Soon Waverly could see nothing but his shortcomings, and consequently divorced him. Waverly fears that the same thing will happen when she marries Rich.
Shoshana Chen - Shoshana is Waverly's four-year-old daughter. Waverly's unconditional love for Shoshana teaches her about maternal devotion.
Lindo's mother - After Lindo was engaged at the age of two, Lindo's mother began to talk about Lindo as if she were already her mother-in-law Huang Taitai's daughter. Lindo knows that her mother did so only because she wanted to keep herself from feeling too attached to the daughter she loved so dearly but had already given away.
Rich Schields - Schields is Waverly's white fianc\u00e9. Waverly wants to tell her mother Lindo about their engagement, but she is afraid that Lindo will criticize him to the point that she will be unable to see anything but his faults. Rich loves Waverly unconditionally, but Waverly fears that a bad first impression will unleash a flood of criticism from Lindo.
Hsu Family
An-mei Hsu - An-mei is one of the members of the Joy Luck Club. She has learned important lessons about the dangers of passivity and the necessity of speaking up for herself, but, she notes with pain, she has not passed on these lessons to her daughter Rose. Although she has lost most of her faith in God, An-mei maintains a certain faith in the human power of will and effort. See \u201cAnalysis of Major Characters.\u201d
An-mei Hsu (In-Depth Analysis)
Rose Hsu - Rose is the youngest of An-mei and George Hsu's three daughters. She married Ted Jordan, despite protests from both An-mei and Mrs. Jordan. She has always allowed Ted to make all the decisions, but when Ted asks her to take on some of the responsibility, Rose's relationship with Ted disintegrates. An-mei helps Rose understand that she needs to assert herself. See \u201cAnalysis of Major Characters.\u201d
Bing Hsu - Bing was the youngest of An-mei's and George Hsu's seven children. When Bing was four years old, the entire Hsu family took a trip to the beach, and Bing drowned. Rose, rather irrationally, blames herself for the death. An-mei had faith that God and her nengkan, or her belief in her power to control her fate, would help her find Bing, but the boy never turned up.
George Hsu - George is An-mei's husband and Rose's father.
An-mei's mother - An-mei's mother was a strong but sorrowful woman who, after being widowed while still young, was tricked into becoming the fourth wife of Wu Tsing. She went to live in his household in the city of Tientsin. When An-mei's grandmother, Popo, dies, An-mei goes to live with her mother in the city. Eventually, An-mei's mother commits suicide so that An-mei will not live a life of shame and unhappiness. An-mei's mother teaches her daughter to sacrifice herself for her family, to swallow her tears, to mask her pain, and to beware of people who seem too kind or generous.
Popo - Popo was An-mei's maternal grandmother. When An-mei's mother married Wu Tsing, Popo disowned her. According to traditional Chinese values, it was a disgrace that her widowed daughter had not only remarried but had re-married as a third concubine. Five years after leaving, An-mei's mother returned because Popo had fallen terminally ill and, according to superstitious healing methods, sliced off a piece of her flesh to put in a broth for Popo.
Wu Tsing - Wu Tsing was a wealthy Chinese merchant who took An-mei's mother as his third concubine, or \u201cFourth Wife.\u201d He was easily manipulated by Second Wife and was, at root, a coward. When An-mei's mother commits suicide, he fears the vengeance of her ghost and thus promises to raise An-mei in wealth and status.
Second Wife - Second Wife was Wu Tsing's first concubine. She entirely dominates the household in Tientsin, providing an example of extreme female power in a patriarchal society. Yet hers is a cruel power: she is deceptive and manipulative. She banks on her husband's fear of ghosts by faking suicides so that he will give her what she wants, and she trapped An-mei's mother into marrying Wu Tsing so as to fulfill his wish for heirs without losing her authority. At first, Second Wife manipulates An-mei into liking her by giving her a pearl necklace, but An-mei's mother shows An-mei the deceptiveness of appearances by shattering one of the \u201cpearls\u201d with her foot in order to prove that it is actually glass. An-mei repeats this action after her mother's suicide, and Second Wife is the first figure against whom An-mei learns to assert her own strength.
Syaudi - Syaudi was the son of An-mei's mother and her second husband, Wu-Tsing, but Second Wife took him as her own. An-mei learned that he was her brother through Yan Chang, her mother's servant.
Ted Jordan - Ted Jordan is Rose's estranged husband. When they were dating, he made all the decisions. Later, he asks for a divorce and is surprised when Rose stands up for herself.
St. Clair Family
Ying-ying St. Clair - Ying-ying is a member of the Joy Luck Club. As a child, Ying-ying was headstrong and independent. Yet she slowly develops a fatalism and passivity; rarely speaking her mind, she allows her American husband, Clifford St. Clair, to translate incorrectly her feelings and thoughts. Once she realizes that her daughter Lena exhibits the same qualities in her own marriage, Ying-ying recognizes her weakness and resolves to tell Lena her story. See \u201cAnalysis of Major Characters.\u201d
Ying-ying St. Clair (In-Depth Analysis)
Lena St. Clair - Lena is the only child of Ying-ying and Clifford St. Clair. When she married Harold Livotny, Lena unwittingly began to follow Ying-ying's passive example, believing herself incapable of control in her marriage and her career. See \u201cAnalysis of Major Characters.\u201d
Lena St. Clair (In-Depth Analysis)
Clifford St. Clair - Clifford St. Clair is Ying-ying's second husband. He never learned to speak Chinese fluently, and she never learned to speak English fluently. Clifford often puts words into his wife's mouth.
Ying-ying's Amah - Ying-ying's Amah was her childhood nursemaid. She loved Ying-ying as if she were her own child and tried to instill traditional Chinese feminine values in her\u2014values that Ying-ying will later regret having adopted.
Harold Livotny - Harold is Lena St. Clair's husband. Since the beginning of their relationship, he has insisted that they split the cost of everything they share. He says that keeping their finances separate makes their love purer. However, what he believes will keep them independent and equal in fact renders Lena rather powerless.
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［关键词］文化 冲突 母女关系
谭恩美是当代享有很高声誉的华裔美国作家，她的作品《喜福会》 在 1989 年出版后赢得了国内外学者的关注。《喜福会》讲述在旧金山的 四个华人移民家庭的故事，小说囊括了四对中国移民的母亲与其美国 生长的女儿的点点滴滴。四位母亲都是来自旧中国，她们虽然在美国， 却对中国传统的文化念念不忘;为了解除来自于语言和文化背景的不 同而产生的负面情绪，她们组织了喜福会。
一、妈妈和女儿之间的冲突
小说中吴京梅从小就抵触妈妈对她的任何希望，经常让妈妈对她 失望，最后她妈妈放弃了培养她成为神童的决心。她妈妈的这种失望 一直持续到她长大，最后她也没有得到妈妈的赞许和期待，她觉得最遗 憾的就是没有勇气去和妈妈敞开心扉，也没有问过妈妈为什么对女儿 的期待这么高。同时林冬和韦弗利之间也充满了冲突和误解。韦弗利 总把妈妈当做敌人看待，她在和妈妈下棋的时候用的招数比她妈妈所 知道她的招数要多得多。安梅和罗丝之间的冲突不多。罗丝一直被不 幸福的的婚姻问题困扰着，但是她从没有告诉过她妈妈。出生在美国 的罗丝对妈妈和中国的文化一直有偏见，她认为美国的文化要更优越 一些。她觉得她的妈妈就是落后和无知的代表。莹莹和李娜是另外一 对母女，她们之间也有很多冲突。妈妈和女儿之间已经没有了话语的 沟通，女儿会听索尼随身听，她会享受妈妈给自己带来的一切物质利 益。妈妈和女儿之间的距离感是从女儿生来就产生了很深的代沟。
小说中反映了美中两种文化的冲撞，尽管妈妈们在很早的时候就 移民去了美国，但是在思想上她们还是偏向于中国的文化和思维方 式。妈妈在中国过着一种与世隔绝的生活，尽管她们还是希望她们的 女儿得到美国的学位，她们常常坚持中国的文化传统而且怀疑外国的 一些文化。相比较下，她们的女儿深深地受到美国文化的影响，她们习 惯于美国的思想、价值观和生活方式。
导演是一位在美国长大的中国女孩儿.呵呵~我想,小说里面大部分的故事是她听来了,或者说学来了.因为小说中那几位妈妈所碰到呢男人,全部都是男权社会下的典型男性写照.当然不是说所有的男人都是这个样子,大确实是一个普遍的问题.
影片中的几位母亲都为自己的地位做出了一个正确的抉择,移民美国.当她们走出自己过去的生活,过去的阴影,她们开始期望她们的女儿也有一个幸福的婚姻,幸福的结局.当然,这些女儿们都开始了自己的全新的美国梦.虽然,妈妈们仍然带有中国一些比较保守的传统想法,可是也接受了女儿们的开放.
而影片中我不喜欢的部分则是,有几位母亲,为了自己的生活,放弃了自己的孩子,那么幼小的生命.如果我作为一个母亲,是绝对不能原谅自己的.孩子是自己的,自己的生活也是自己的.那么,既然决定了要这个孩子,就不能放弃.她们也许是没有选择，可是她们却也不用选择死亡.
有时这个社会很残酷,但是总的来说它在进步.进步中的牺牲品又肯定不在少数.美国相对国内,它很进步,因为它已经经历过了这个特殊的历史时期.他们曾经也有非常严重的男权问题,现在也有只不过不那么严重.当然,一个社会的进步,法制建设要紧密相关,我们需要看到的就是像故事里的那些女孩儿一样,为自己的生活说一句话,为自己的生活选择一个最好的答案.
《喜福会》：母亲和女儿，同为“女人”间的羁绊
当归的阅读地图
09月25日 · 优质情感领域创作者
《喜福会》是华裔女作家谭恩美最负盛名的一部作品，也是我最喜欢她的一部作品。小说集中谈论了母女关系的问题，作者也毫不避讳地指出，通过小说写作，她深入理解了两代女性的关系，并与和她有矛盾的母亲和解了。
以前，从来不觉得通过小说文字，可以让人对另一个人转变态度，因为要改变一个人的固有认知实在太难了。然而通过谭恩美的创作经历，可以发现，原来和解不是一瞬间的事情，而是长年累月的矛盾和磨合之后，才能找到一个平衡点。而谭恩美的“平衡点”就是写作，尤其是关于母女关系、母亲的东方故事的想象。
小说创作于1989年，距今已有三十多年了，但关于母女关系的矛盾问题，至今仍存在于每个平凡家庭之中。这个问题似乎很少有人看得到。在一个普通的家庭结构中，母亲和女儿的关系似乎是最好的，因为她们同为女性，更加心思细腻地捕捉到对方，在性别认知上，女儿更倾向于依赖母亲。
但事实上，女儿与母亲却也最容易产生矛盾。
图/谭恩美 （右黑衣）
01.我们是母女，也像仇人
小初在我的朋友圈里是一个温柔的存在，日常谈论最多的就是她的美丽和自爱，她有个宠她的爱人，后来还有个可爱的女儿。从很多方面看，她都是一个被命运眷顾的女人，在合适的年纪，拥有稳定的工作，和谐的家庭。
然而，有一天她却“内涵”起了母亲，放出了和母亲关于18岁、关于她婚姻的对话，并表示彼此断绝关系。我想象不出一个什么样的母亲，才能让一个那么温和的女人情绪爆发要与之断绝关系？
在《喜福会》中的四个女儿，都有类似想要和母亲断绝关系的念头，甚至为了摆脱母亲的控制选择忤逆。吴晶妹在母亲生前，一直都不理解她为何是这样一个类似神经质的母亲，逼她做自己不喜欢的事，安排她的人生。于是，吴晶妹逃离了母亲。
钟韦弗利有围棋天赋，可母亲想的不是培养她成为更好的棋手，而是将她作为满足自我虚荣心的“棋子”。当母亲用她在围棋上取得的微不足道的成绩到处炫耀时，她只觉得脸红发烫，羞愧不已。母亲也不会因为她的一点成就就对她有丝毫的宽容，即使是她大声哭喊，拽着母亲要买咸味糖时，母亲对她只有责备：“咬住你的舌头。”
圣克莱尔·琳娜也不明白母亲的阴郁性格和日常的恐惧从哪里来，她也不喜欢从母亲身上遗传的“中国眼睛”，不听从母亲的劝诫选择爱情，甚至觉得是母亲将忧郁和黑暗情绪带给她的。在和母亲对峙的那些时日里，似乎有一个幽灵连接着她和母亲。
母女关系有两面性，她们可以是最好的朋友，是最能理解彼此的伙伴，但她们也可以是彼此仇恨最深的人。在彼此羁绊的时光里，既有伦理道德的束缚，也有血浓于水的情感纽带。这些羁绊时常坚韧，又时常脆弱。
02.我们互相陪伴，又互不理解
为什么我们明明需要互相陪伴，却又互不理解？
谭恩美和母亲的生活隔着三十多年，而这三十多年的间隔，社会文化风气发生了许多改变，一代一代人的成长环境也不会一模一样。这就造就了母女二代人的隔阂和不理解。
《喜福会》中的母亲们，都是从战火纷飞的年代过来的。她们有的年少被逼远离故土，被迫嫁给不爱的人，在婚姻中遭受痛苦，遭受骨肉分离……母亲们在不平和的时代里，被痛苦淹没，苦中作乐，然后拼命找寻脱离苦海的时机。
她们经历很多苦楚，才在大洋彼岸尝到了一点幸福的滋味。在她们看来，她们付出了所有的心血，只为女儿不再重蹈自己的错误人生。
在王颖的同名电影中，吴晶妹在母亲去世后，不知该不该去见两位遗留在中国的姐姐，她说出了担忧：因为她不知道自己该和她们说些什么。而母亲的挚友们让她和姐姐们说说母亲的事，说说她的辛苦和思念，吴晶妹却对此一脸疑惑，表示自己并不了解母亲。
而母亲的挚友钟林冬对此大加疑惑，并以责备的口吻说：“哪有女儿不了解母亲的？”
母亲们理所应当地站在某个（智慧的、年龄的、道德的）高地上，指责女儿们的言行是否恰当，试图以自己的人生遭遇，为她们指引一条坦途。但是，这在女儿们看来，只不过是母亲们用自己的身份“特权”掌控自己的人生。
50年代后出生的女儿们，向往的是自由的人生选择，对生活和爱情的勇敢追求，她们只想做自己想要的，而不是将就的。一个想束缚，一个想挣脱，在彼此撕扯过程中，只怕两败俱伤。
女儿不理解母亲的言行，而母亲更难以接受女儿的叛逆。
小初的母亲是事业单位的一名干事，秉持着对工作的负责与热情，在追求成功的路上也有了虚荣心和利益心。她不能理解女儿为何会放弃更有钱的工作优越的前男友，嫁给普通的男人，不能理解女儿揪着十几年前的一次性侵未遂的事攻击她。在她眼里，没吃过苦的女儿，不明白金钱和社会地位的重要性。
但在女儿看来，所有的那些都不过是浮云，钱我可以自己挣，不需要靠别人，我要的是个懂我珍惜我的人，而不是想利用身外之物控制我的人。母亲的干涉对她而言，是不尊重，甚至是不可估量的伤害。
03.我们是女人，是女儿，也是母亲
一个女性，从出生的那一刻起，就可能会是某个人的女儿，会长成女人，会生儿育女成为某个孩子的母亲。传统意义上的女性，在无法掌握自己命运的时候，按部就班地往自己身上添加这些“标签”，哪怕是死亡，也不能改变她的这些身份。
幼年时，我们受到别人的教育，学着长大，学着成为一个合格的大人。然而女儿合格的标准是母亲，照着母亲的样子，去重复同样的人生。长大后，选择爱情和婚姻，成为某个家庭的一员，也连接了婆家与夫家两个端点的社会关系。
当我们的身体发生变化，从女孩长成女人的时候，就要负起另一份责任，结婚生子，培养后代。在今天，这一项看似连贯的人生轨迹，依然出现在众多女性身上。她们不会质疑为何自己要生养后代。但是，另一个逐渐产生的极端是，很多女性越来越多地发觉，与其被当做生养的“机器”，不如认真地过好自己的一生，无忧无虑，了无挂碍。
圣母玛利亚生下耶稣，她会知道他将成为世人敬仰的神吗？她肯定是不知道的。每一个母亲生下孩子，都不会确切地知道他日后会成为什么样的人。成龙成凤，也只是一个愿景。
母亲养育女儿成年，她太知道女儿的性格和需求了，也清楚地知道一个女人在面对世界时的恐惧、无助和勇敢。她清楚地知道自己不可能护女儿一辈子，那不如放手让她去跌跌撞撞地成长。然而，一旦女儿出现任何超出她想象的、或思想范畴的举动，就会备受打击。遭受打击的母亲，就会对女儿撒气，尽管她知道，很多时候并不是女儿的错，而是时代的错。
《喜福会》中的四个母亲，在养育的方式上或许违背了女儿的意愿，但是她们最重要的共同点，也是万千母亲的共同点：想要女儿幸福，并愿意用自己毕生之力为她们扫清障碍。——这也是最后所有女儿能与母亲进行和解的原因。
能帮助女人的也只有女人。母亲和女儿之间，更应该有比这还深的羁绊。就像四个女儿一样，在学习如何长大的同时，我们也应该知道，是谁在背后默默为你承受了一切。
《喜福会》的故事框架方方正正，四位母亲和四位女儿，四个章节十六个故事，串起了两代女性的悲与喜。故事已经被作者填满，少了很多可以想象和发散的空间。在这样满的故事里，就像女性被剥夺的空间，毫无剩余。母亲和女儿的故事还在继续，但她们生活的空间永远被禁锢在那里了。
文/当归 2020/9/25
图/网络 同名电影截图
备注：文章系今日头条独家首发，请勿转载，谢谢。
他们两个人之间的关系肯定是非常好的呀，因为母亲与女儿之间的关系肯定是非常不错的，所以他们之间的关系处理的也是非常好的。
你不会母亲与女儿之间的关系，我觉得她母亲与女儿之间关系，就是说她们是母女关系啊，所以说他们也是非常好的一个嗯母子的
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