怎么进行英语短篇小说赏析 有什么英语短篇小说推荐

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1. \u201cA Good Man is Hard to Find,\u201d Flannery O\u2019Connor



Few short stories have stuck with us as much as this one, which is probably O'Connor's most famous work \u2014 and with good reason. The Misfit is one of the most alarming serial killers we've ever met, all the more so for his politeness, and the story\u2019s moral is so striking and terrifying that \u2014 whether you subscribe to the religious undertones or not \u2014 a reader is likely to finish and begin to reexamine their entire existence. Or at least we did, the first time we read it.
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2. \u201cThe School,\u201d Donald Barthelme



This story is very short, but pretty much perfect in every way. Though Barthelme is known for his playful, post modern style, we admire him for his ability to shape a world so clearly from so few words, chosen expertly. Barthelme never over explains, never uses one syllable too many, but effortlessly leads the reader right where he wants her to be. It's funny, it's absurdist, it's sad, it's enormous even in its smallness. It may be this writer\u2019s favorite story of all time. You should read it.
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3. \u201cIn The Penal Colony,\u201d Franz Kafka



Kafka called this one his\u201cdirty story,\u201dand thought it imperfect, but it's one of our favorites of his (though we also recommend \u201cThe Hunger Artist\u201dand\u201cA Country Doctor\u201d). It's so obviously a story about writing, in some ultimate way \u2014 a machine punishes its victims by writing on them over and over until their bodies give out \u2014 but its as if, while the body is the source of every problem in the tale, every weakness, it is also the only place where true knowledge can be translated.
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4. \u201cSigns and Symbols,\u201dVladimir Nabokov



Another short one, we revere this story for its ability to turn every tiny detail into a portentous disaster, not to mention the fact that it's penned in Nabokov's effortlessly gorgeous, silvery prose. An old Jewish couple goes to visit their son in the mental hospital, only to be turned away because he has attempted to kill himself. And that's it, really. They go home and look though a photo album, eat some jam. The phonerings. But the whole thing is, perhaps, both a comment on the nature of insanity and the nature of the short story itself, with all its rules and strangeness and banality. And all its symbols, of course.
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5. \u201cGooseberries,\u201d Anton Chekhov



Chekhov's stories are indisputably among the greats, and this one, written rather late, is one of our favorites. Chekhov probes at both the frailty and the worth of humanity, not to mention the natureof life, both for the fortunate and the unfortunate. But like most of Chekhov's stories, there's no clear moral, there's no obvious takeaway. Some men sit around and discuss their thoughts, and we listen, mulling over the subtleties for ourselves.
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6. \u201cSea Oak,\u201d George Saunders



\u201cSea Oak\u201d is Saunders's favorite of his own stories, we've heard, so because we find it so hard to choose among them, we've included it here on his own recommendation. Absurdist and satirical, and including at least one zombie shouting at her housemates to get laid, it's a weird one. But it's also concerned with placelessness, with family, with poverty, and like all of Saunders's stories, has a good, thumping heart under all that darkness and fun-poking.

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7. \u201cThe Ones Who Walk Away From Omelas,\u201d Ursula K. LeGuin



LeGuin's parabolic tale, which won the Hugo Award for best short story in 1974, is a weird, spacious story about a city that seems to be a utopia \u2014 except for its one flaw, the single child that must always be kept in darkness and wretched misery so that the others may all live happily. Most of the citizens eventually accept this, but some do not, and silently leave the city, vanishing into the world around. Strange but pointed, Le Guin is a master of her genre.
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8. \u201cThe Veldt,\u201d Ray Bradbury



This tale, from one of the greatest science fiction writers in history, is deliciously wicked. Though it was written in 1950, this kind of story \u2014 of children driven mad by want, of technology turning on its masters \u2014 will never get old. Until technology actually turns on us, that is. Then we probably won't want to hear about it.
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9. \u201cThe Bear Came Over the Mountain,\u201d Alice Munro



The undisputed queen of the short story, Alice Munro\u2019s work is stark and often heartbreakingly raw, and this story of memory loss and the aching tenderness of human interaction is no different. Fun fact: this story was adapted into the film \u201cAway from Her\u201d, starring Julie Christie and Gordon Pinsent.

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10. \u201cThe Nose,\u201d Nikolai Gogol



Gogol might be the oldest writer on this list, but he\u2019s also one of the weirdest \u2014 in a good way. Nabokov once wrote, \u201cIn Gogol\u2026the absurd central character belongs to the absurd world around him but, pathetically and tragically, attempts to struggle out of it into the world of humans \u2014 and dies in despair.\u201d What else can an absurd noseless man do, after all?
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这个东西 建议你买两本书 或者看看中国的小说怎么赏析的 其实一样

羊脂球赏析 http://www.blogms.com/StBlogPageMain/Efp_BlogLogSee.aspx?cBlogLog=1002134972

套中人赏析
提起契诃夫的短篇小说,自然很容易使人想起他笔下的“套中人”别里科夫。契诃夫在短短的篇幅里,以讽刺的手法,入木三分地刻画出这一沙皇专制制度的忠实卫道士的典型形象。
作品开始时光从他的日常生活着手,描绘他在生活中一刻也离不开各种各样的“套子”:晴天带雨伞,耳朵塞棉花,把脸也躲藏在竖起的大衣领里。如果仅仅这样,那么只是孤僻可笑罢了,就让他躲在角落里吧;然而不止如此,他还要把思想臧在“套子”里,这个“套子”就是沙皇政府压制人民自由的文告和法令,他老是一个劲地嚷着:“千万别闹出乱子啊!”如果仅仅是这样,那就让他自言自语吧,用不着理睬他。但是问题远不止此。他还要用“套子”去凑别人的思想。更令人诧异的是大家看见他都害怕。就是这么一个古怪猥琐的人,就把大家压得透不过气来,把整个中学辖制了足足十五年,而且全城都受他的辖制,弄得大家甚至不敢大声说话,不敢写信,不敢交朋友……总而言之,人们对这个神经质的、变态的套中人妥协让步,可以说许多人也被迫不同程度地钻进“套子”中去了。作者在这里向我们提出一个令人深思的问题,别里科夫并不是达官贵人,他没有显赫的地位和权势,而是一个普通的中学教员,他在生活中是无足轻重的人物。在作者的笔下,他不是作为单个的人,而是作为知识界和社会上的一种典型,是旧制度、旧秩序、旧思想的忠实维护者,人们害怕他,其实是被那黑暗污浊的政治空气压得喘不过气来。当时的俄国,亚历山大三世实行恐怖统治,在俄罗斯大地上警探密布,告密诬陷之风盛行,在社会上确实有许许多多的别里科夫式的人物。作品通过别里科夫这个人物将批判锋芒直指扼杀一切生机的沙皇专制制度。
从艺术上着眼,小说最大的特色是讽刺手法的大量运用。首先以夸张的笔墨给别里科夫画了一张惟纱惟肖的漫画,显得多么迂腐和可笑。另外还运用巧妙的对比手法,以他荒谬绝伦的思想和他一本正经的语言构成一种对比,使人忍俊不禁。骑自行车,本是一件很平常的事,在他眼里却变成了极为反常的事,他一本正经地指责道:如果教师骑自行车,那么“学生就要倒过来用脑袋来走路了”。作品还不露痕迹地运用了反语和丰富的潜台词,极其辛辣地嘲笑了别里科夫,作者写道:“他躺在棺材里,神情温和、愉快,甚至高兴,”瞧!这个“套中人”死了,反而倒有神采了!作者接着指出:原来他“仿佛是暗自庆幸自己终于装进了一个套子里,从此再也不必出来了,是啊!他的理想实现了”。这是何等辛辣的讽刺!作者暗示我们,只有棺材,才是别里科夫应该去的地方,而且这也应当是一切“套中人”最好的归宿。
小说的开头与结尾也不能忽略。它们是作品的重要组成部分,起了深化主题的作用。小说是从一月夜两位打猎朋友的聊天开始的,他们本是海阔天空地闲聊,殊不知别里科夫的故事,引起了他们的感慨和深思。开始的轻松宁静和别里科夫的故事的沉闷气氛形成了一种反差,接着又引出了一段皎洁恬静的月色的描绘。这又和别里科夫的故事形成一种反差;大自然是宁静美好的。现实生活又是那么黑暗污浊。于是在那个月夜里,布尔金和伊凡·伊凡内奇浮想联翩,想到生活中的种种套子。作品最后写到伊凡·伊凡内奇再也不能入睡了,他站了起来,坐到门外,点上了烟斗。也许,他想到:再也不能照这样生活下去了!小说的这个结尾耐人寻味

我就只找到这些,希望你能有帮助

先弄清大意!再按照自己对它的感想去欣赏它了!体会它的乐趣!

  • 鑻卞浗鐭瘒灏忚璧忔瀽鐩綍
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