哈利波特与混血王子英语观后感 《哈利波特与混血王子观后感》 英文怎么说
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After ten years, J.K.R did not let us down. The darkest, fastest-paced, most desperate and dynamic magical adventure of the 7-part series carries the reader along faster than a speeding broomstick chased by Dementors. Throughout, doubts must be battled, fears faced, loyalties tested, and grief postponed whilst well-loved characters fall, chapter by chapter, yet there is no time to mourn. Rowling as a narrator has grown up and so has Harry; this no longer feels like a children's story but an epic myth, the echo and inheritor of a centuries-ancient tale told and sung around firesides, full of sound and fury, signifying more than we like to let on - the tug of old archetypes we already know, old tales which still resonate heart-deep, with anyone who has ever wondered who wins, when you pit love against hate, and hope against nihilism.
I am sure there will be sneerers and jeerers at the power of the commercial spell cast worldwide and the ringing tills at midnight, the over-familiarity of the children's-story syntax; they are missing the point. The story of all humankind is the story of a story-telling animal and it is only this which distinguishes us from the other mammals, when it comes to the end. We will always be enchanted and enslaved by the telling and re-telling of the same story we all, always want to hear, again and again. The ancient magic of light vs. darkness, heroism and struggle, the bloody clash of battles, wrench of secrets painfully revealed; the warrior tested, the torturous night of the soul, the slow learning of the terrible, yet wonderful fact that no-one is alone, and that in the end, help comes, from friends, from strangers, from unexpected sources; from within and without, because of faith, because of courage, because of love. Of how our own humanity saves us, how our weakness is our strength.
So this latest incarnation of the old, old tale of the resurrected lost one, the lonely one who is loved, the hero who doubts, the child who is adult, the griever restored, the victim who triumphs, the Boy Who Lived - is deeply satisfying in the way everyone recognises. Anyone who has fallen asleep at the end of a story, with the author's pact satisfied - I will let you frighten, anger, worry and scare me, if you make it all right at the end. If I learn something, and if they live, if not happy ever after, but if they live - will be replete at the ending of this long saga.
I prefer to think its enormous sucess is not just because of cyncial hyper-successful marketing. I prefer to think that it is because we all love a story, told well, before we lay down to sleep at the end of a long day.After ten years, J.K.R did not let us down. The darkest, fastest-paced, most desperate and dynamic magical adventure of the 7-part series carries the reader along faster than a speeding broomstick chased by Dementors. Throughout, doubts must be battled, fears faced, loyalties tested, and grief postponed whilst well-loved characters fall, chapter by chapter, yet there is no time to mourn. Rowling as a narrator has grown up and so has Harry; this no longer feels like a children's story but an epic myth, the echo and inheritor of a centuries-ancient tale told and sung around firesides, full of sound and fury, signifying more than we like to let on - the tug of old archetypes we already know, old tales which still resonate heart-deep, with anyone who has ever wondered who wins, when you pit love against hate, and hope against nihilism.
I am sure there will be sneerers and jeerers at the power of the commercial spell cast worldwide and the ringing tills at midnight, the over-familiarity of the children's-story syntax; they are missing the point. The story of all humankind is the story of a story-telling animal and it is only this which distinguishes us from the other mammals, when it comes to the end. We will always be enchanted and enslaved by the telling and re-telling of the same story we all, always want to hear, again and again. The ancient magic of light vs. darkness, heroism and struggle, the bloody clash of battles, wrench of secrets painfully revealed; the warrior tested, the torturous night of the soul, the slow learning of the terrible, yet wonderful fact that no-one is alone, and that in the end, help comes, from friends, from strangers, from unexpected sources; from within and without, because of faith, because of courage, because of love. Of how our own humanity saves us, how our weakness is our strength.
So this latest incarnation of the old, old tale of the resurrected lost one, the lonely one who is loved, the hero who doubts, the child who is adult, the griever restored, the victim who triumphs, the Boy Who Lived - is deeply satisfying in the way everyone recognises. Anyone who has fallen asleep at the end of a story, with the author's pact satisfied - I will let you frighten, anger, worry and scare me, if you make it all right at the end. If I learn something, and if they live, if not happy ever after, but if they live - will be replete at the ending of this long saga.
I prefer to think its enormous sucess is not just because of cyncial hyper-successful marketing. I prefer to think that it is because we all love a story, told well, before we lay down to sleep at the end of a long day.
A Review of Harry Potter and the Half-Blood Prince
这里有两个，不知行不行：1.With Half-Blood Prince, again we have a stalwart, satisfying visualization of the Rowling cosmos. Screenwriter Steve Kloves (his fifth Potter script) and director David Yates, the BBC veteran (State of Play, Sex Traffic) who also helmed Order of the Phoenix, concoct a potent brew of horror and romance, in which the supercool special effects — notably a swoopy-cam ride with the Death Eaters as they soar over London's monuments and through its creepiest streets — never obscure a commitment to the book's central theme. True to Rowling's portrayal of the teen experience, the film is almost wholly occupied with school: the business of getting good grades (sometimes by cheating) and the influence of inspiring or maleficent teachers. Plus, of course, sex.
2.Deep like the harry potter's that came before it (with the exception ofthe prisoner of azkaban, a bizzarly bland entry) THe Half blood princeintroduces itself n such a way that continues throughout the movie,using what they never used in the past installments, WB emphasized onexcellent lighting, wound, and weather effects. Each key is struck inthe visuals department, the magic is much more fluctuous andmysterious, warming with a dash of welcome harry potter succeeds inplaces the earlier installments failed, pays all tributes very well.With all of the matured characters, the environmental amplification ofhogwarts, and the overall chaos and tyranny written the plot itself andfollowed the book almost exactly the way it was meant to be, despitethe fact Lord Voldemorts originality was partially stained by Harry'schoice to say his name.
开玩笑，英文读后感谁有耐心帮你写啊
bored
绛旓細After ten years, J.K.R did not let us down. The darkest, fastest-paced, most desperate and dynamic magical adventure of the 7-part series carries the reader along faster than a speeding broomstick chased by Dementors. Throughout, doubts must be battled, fears faced, loyalties te...
绛旓細璇诲悗鎰熷涓嬶細I have just read the book Harry Potter and the Goblet of Fire.It is really exiting.I love it very much.In the book, Harry joined a competition which is extremely hard. He tried his best in the race.鎴戝垰鍒氳浜嗐婂搱鍒╂尝鐗逛笌鐏劙鏉嬭繖鏈功銆傚畠鐪熺殑寰堜护浜烘縺鍔ㄣ傛垜闈炲父...
绛旓細1.With Half-Blood Prince, again we have a stalwart, satisfying visualization of the Rowling cosmos. Screenwriter Steve Kloves (his fifth Potter script) and director David Yates, the BBC veteran (State of Play, Sex Traffic) who also helmed Order of the Phoenix, concoct a potent ...
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绛旓細浣滄枃锛氭帹鑽愪竴鏈ソ涔︺鍝堝埄娉㈢壒涓庢贩琛鐜嬪瓙銆嬫殤鍋囨垜璇讳簡鑻卞浗钁楀悕濂充綔瀹禞K缃楃惓鐨勩婂搱 鍒╂尝鐗广嬬郴鍒椾功绫嶏紝铏借姣忎竴閮ㄩ兘鏈夎浜烘儕蹇冨姩榄勭殑鏁呬簨鎯呰妭锛屽彲璐电殑鍙嬫儏鍜屼赴瀵岀殑鎯宠薄鍔涳紝浣嗘槸缁欐垜鐣欎笅娣卞埢鐨勫嵃璞＄殑鏄鍏儴銆婂搱鍒╂尝鐗逛笌娣疯鐜嬪瓙銆嬨傞倱甯冨埄澶氱殑绂诲紑鏃犵枒鏄暣閮ㄤ綔鍝佷腑鏈鎵ｄ汉蹇冨鸡锛屼篃鏈璧氱溂娉殑浜嬩欢銆傚彲鏄...
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