英国的文艺复兴时期指的是英国的哪个阶段? 英国文艺复兴时期指的是什么时候?

\u82f1\u56fd\u6587\u827a\u590d\u5174\u65f6\u671f\u7684\u7279\u70b9\u662f\u4ec0\u4e48 \u7528\u82f1\u6587\u4ecb\u7ecd

Renaissance
The Renaissance, also known as "Il Rinascimento" (in Italian), was an influential cultural movement which brought about a period of scientific revolution and artistic transformation, at the dawn of modern European history. It marks the transitional period between the end of the Middle Ages and the start of the Modern Age. The Renaissance is usually considered to have begun in the 14th century in Italy and the 16th century in northern Europe.
Historiography
The term Rebirth (Rinascenza), to indicate the flourishing of artistic and scientific activities starting in Italy in the 13th century, was first used by Italian historian Giorgio Vasari in the Vite, published in 1550. The term Renaissance is the French translation, used by French historian Jules Michelet, and expanded upon by Swiss historian Jacob Burckhardt (both in the 1860s). Rebirth is used in two ways. First, it means rediscovery of ancient classical texts and learning and their applications in the arts and sciences. Second, it means that the results of these intellectual activities created a revitalization of European culture in general. Thus it is possible to speak of the Renaissance in two different but meaningful ways: A rebirth of classical learning and knowledge through the rediscovery of ancient texts, and also a rebirth of European culture in general.

Leonardo da Vinci's Vitruvian Man, an example of the blend of art and science during the Renaissance.[edit]Multiple Renaissances
During the last quarter of the 20th century many scholars took the view that the Renaissance was perhaps only one of many such movements. This is in large part due to the work of historians like Charles H. Haskins (1870\u20131937), who made a convincing case for a "Renaissance of the 12th century," as well as by historians arguing for a "Carolingian Renaissance." Both of these concepts are now widely accepted by the scholarly community at large; as a result, the present trend among historians is to discuss each so-called renaissance in more particular terms, e.g., the Italian Renaissance, the English Renaissance, etc. This terminology is particularly useful because it eliminates the need for fitting "The Renaissance" into a chronology that previously held that it was preceded by the Middle Ages and followed by the Reformation, which many believe to be inaccurate. The entire period is now often replaced by the term "Early Modern". (See periodisation, Lumpers and splitters)
Other periods of cultural rebirth have also been termed a "renaissance"; such as the Harlem Renaissance or the San Francisco Renaissance. The other renaissances are not considered further in this article, which will concentrate on the Renaissance as the transition from the Middle Ages to the Modern Age.
Critical views
Since the term was first created in the 19th century, historians have various interpretations on the Renaissance.
The predominant view is that the Renaissance of the 15th century in Italy, spreading through the rest of Europe, represented a reconnection of the west with classical antiquity, the absorption of knowledge\u2014particularly mathematics\u2014from Arabic, the return of experimentalism, the focus on the importance of living well in the present (e.g. humanism), an explosion of the dissemination of knowledge brought on by printing and the creation of new techniques in art, poetry and architecture which led to a radical change in the style and substance of the arts and letters. This period, in this view, represents Europe emerging from a long period as a backwater, and the rise of commerce and exploration. The Italian Renaissance is often labelled as the beginning of the "modern" epoch.
Marxist historians view the Renaissance as a pseudo-revolution with the changes in art, literature, and philosophy affecting only a tiny minority of the very wealthy and powerful while life for the great mass of the European population was unchanged from the Middle Ages. They thus deny that it is an event of much importance.
Today most historians view the Renaissance as largely an intellectual and ideological change, rather than a substantive one. Moreover, many historians now point out that most of the negative social factors popularly associated with the "medieval" period - poverty, ignorance, warfare, religious and political persecution, and so forth - seem to have actually worsened during this age of Machiavelli, the Wars of Religion, the corrupt Borgia Popes, and the intensified witch-hunts of the 16th century. Many of the common people who lived during the "Renaissance" are known to have been concerned by the developments of the era rather than viewing it as the "golden age" imagined by certain 19th century authors. Perhaps the most important factor of the Renaissance is that those involved in the cultural movements in question - the artists, writers, and their patrons - believed they were living in a new era that was a clean break from the Middle Ages, even if much of the rest of the population seems to have viewed the period as an intensification of social maladies.
Johan Huizinga (1872\u20131945) acknowledged the existence of the Renaissance but questioned whether it was a positive change. He argued that the Renaissance was a period of decline from the high Middle Ages, which destroyed much that was important. The Latin language, for instance, had evolved greatly from the classical period and was still used in the church and by others as a living language. However, the Renaissance obsession with classical purity saw Latin revert to its classical form and its natural evolution halted. Robert S. Lopez has contended that it was a period of deep economic recession. Meanwhile George Sarton and Lynn Thorndike have both criticised how the Renaissance affected science, arguing that progress was slowed.
Start of the Renaissance

The Santa Maria del Fiore church of Florence, Italy. Florence was the capital of the RenaissanceThe Renaissance has no set starting point or place. It happened gradually at different places at different times and there are no defined dates or places for when the Middle Ages ended. The starting place of the Renaissance is almost universally ascribed to Central Italy, especially the city of Florence. One early Renaissance figure is the poet Dante Alighieri (1265\u20131321), the first writer to embody the spirit of the Renaissance.
Petrarch (1304\u20131374) is another early Renaissance figure. As part of the humanist movement he concluded that the height of human accomplishment had been reached in the Roman Empire and the ages since have been a period of social rot which he labeled the Dark Ages. Petrarch saw history as social, art and literary advancement, and not as a series of set religious events. Re-birth meant the rediscovery of ancient Roman and Greek Latin heritage through ancient manuscripts and the humanist method of learning. These new ideas from the past (called the "new learning" at the time) triggered the coming advancements in art, science and other areas.
Another possible starting point is the fall of Constantinople to the Turks in 1453. It was a turning point in warfare as cannon and gunpowder became a central element. In addition, Byzantine-Greek scholars fled west to Rome bringing renewed energy and interest in the Greek and Roman heritage, and it perhaps represented the end of the old religious order in Europe.
Italian Renaissance
Main article: Italian Renaissance

Raphael was famous for depicting illustrious figures of the Classical past with the features of his Renaissance contemporaries. School of Athens (above) is perhaps the most extended study in this.The Italian Renaissance was intertwined with the intellectual movement known as Renaissance humanism and with the fiercely independent and combative urban societies of the city-states of central and northern Italy in the 13th to 16th centuries. Italy was the birthplace of the Renaissance for several reasons.

16\u4e16\u7eaa\u4e0a\u534a\u53f6\uff0c\u82f1\u56fd\u7684\u5efa\u7b51\u4ece\u4e2d\u4e16\u7eaa\u5411\u6587\u827a\u590d\u5174\u65f6\u671f\u8fc7\u6e21\uff0c\u5f97\u540d\u4e3a\u201c\u90fd\u94ce\u98ce\u683c\u201d(TudorStyle)\uff0c\u56e0\u4e3a\u5f53\u65f6\u6b63\u662f\u82f1\u56fd\u7684\u90fd\u94ce\u738b\u671d\u300216\u4e16\u7eaa\u540e\u534a\u53f6\uff0c\u610f\u5927\u5229\u5efa\u7b51\u7684\u5f71\u54cd\u5927\u5927\u52a0\u5f3a\uff0c\u82f1\u56fd\u5efa\u7b51\u53c8\u53d1\u751f\u4e86\u663e\u8457\u7684\u53d8\u5316\uff0c\u4e00\u822c\u79f0\u4e4b\u4e3a\u6587\u827a\u590d\u5174\u65f6\u671f\u3002

16世纪上半叶,英国的建筑从中世纪向文艺复兴时期过渡,得名为“都铎风格”(TudorStyle),因为当时正是英国的都铎王朝。16世纪后半叶,意大利建筑的影响大大加强,英国建筑又发生了显著的变化,一般称之为文艺复兴时期。



  • 鑻卞浗鐨勬枃鑹哄鍏存椂鏈熸寚鐨勬槸鑻卞浗鐨鍝釜闃舵?
    绛旓細16涓栫邯涓婂崐鍙讹紝鑻卞浗鐨勫缓绛戜粠涓笘绾悜鏂囪壓澶嶅叴鏃舵湡杩囨浮锛屽緱鍚嶄负鈥滈兘閾庨鏍尖(TudorStyle)锛屽洜涓哄綋鏃舵鏄嫳鍥界殑閮介搸鐜嬫湞銆16涓栫邯鍚庡崐鍙讹紝鎰忓ぇ鍒╁缓绛戠殑褰卞搷澶уぇ鍔犲己锛岃嫳鍥藉缓绛戝張鍙戠敓浜嗘樉钁楃殑鍙樺寲锛屼竴鑸О涔嬩负鏂囪壓澶嶅叴鏃舵湡銆
  • 鏂囪壓澶嶅叴鏃舵湡鐨勮嫳鍥芥枃鑹哄鍏存椂鐨勮嫳鍥
    绛旓細1銆佽嫳鍥界殑鏂囪壓澶嶅叴璧峰杈冩櫄锛岄氬父璁や负鏄湪15涓栫邯鏈銆2銆佹枃鑹哄鍏寸殑鎬濇疆浼犳挱鍒拌嫳鍥芥瘮杈冩櫄銆傜洿鍒16涓栫邯鍒濇墠鏈変竴鎵瑰彈鎰忓ぇ鍒╂柊瀛﹀奖鍝嶇殑浜烘枃涓讳箟瀛﹁咃紝濡俆.鑾皵銆丣.绉戝埄鐗广乄.鍒╁埄绛夛紝鍦ㄤ鸡鏁﹀紑灞曚簡鎺ㄨ浜烘枃涓讳箟鏂囧寲鍜屾暀鑲茬殑娲诲姩,骞跺緱鍒扮殗瀹ゅ拰閲嶈嚕鐨勬敮鎸佷笌榧撳姳銆傞暱鏈熷湪鍓戞ˉ澶у浠绘暀鐨凞.浼婃媺鏂盁瀵逛績杩涜嫳鍥界殑...
  • 鏂囪壓澶嶅叴浠庝粈涔堟椂闂村紑濮,浠涔堟椂闂寸粨鏉
    绛旓細鏂囪壓澶嶅叴浠1453骞村悰鍫″紑濮嬶紝鑻卞浗璧勪骇闃剁骇闈╁懡1689骞寸粨鏉銆傛枃鑹哄鍏存渶鍏堝湪鎰忓ぇ鍒╁悇鍩庨偊鍏磋捣锛屼互鍚庢墿灞曞埌瑗挎鍚勫浗锛屼簬16涓栫邯杈惧埌椤跺嘲锛屽甫鏉ヤ竴娈电瀛︿笌鑹烘湳闈╁懡鏃舵湡锛屾彮寮浜嗚繎浠f娲插巻鍙茬殑搴忓箷锛岃璁や负鏄腑鍙ゆ椂浠e拰杩戜唬鐨勫垎鐣屻傛枃鑹哄鍏存槸瑗挎杩戜唬涓夊ぇ鎬濇兂瑙f斁杩愬姩锛堟枃鑹哄鍏淬佸畻鏁欐敼闈╀笌鍚挋杩愬姩锛変箣涓銆傛枃鑹哄鍏存槸...
  • 鏂囪壓澶嶅叴鏃舵湡鑻卞浗鏈鏉板嚭鐨勬垙鍓
    绛旓細浠1485骞撮兘閾庣帇鏈濈殑寤虹珛鍒1642骞寸殑璧勪骇闃剁骇闈╁懡锛屾槸鑻卞浗鐨勬枃鑹哄鍏存椂鏈熴傚畠浠ユ仮澶嶅湪涓笘绾繏浜庝腑鏂殑甯岃厞銆佺綏椹枃鍖栦紶缁燂紝浼犳挱浜烘枃涓讳箟鎬濇兂涓哄紑绔紝闅忕潃鑻卞浗绀句細鏀挎不銆佺粡娴庣瓑鍚勬柟闈㈢殑鍙戝睍锛屽舰鎴愪簡鏂囧寲鑹烘湳楂樺害绻佽崳鐨勫眬闈紝涔熷嚭鐜颁簡鑻卞浗鎴忓墽鍙蹭笂鐨勭涓涓珮宄般俒1]鍒濇湡 閮介搸鐜嬫湞鐨勫缓绔嬶紝缁撴潫浜嗛暱鏈熺殑鎴樹贡銆傛鍚...
  • 鑻卞浗鏂囧涓昏鍒嗕负鍝叚涓鏃舵湡?鍐呭?
    绛旓細鏂囪壓澶嶅叴鏃舵湡鏂囧 16涓栫邯涓彾鑷17涓栫邯鍒濅富瑕佹槸浼婁附鑾庣櫧濂崇帇鏃朵唬,鑻卞浗寮濮嬫枃鑹哄鍏磋繍鍔.瀛﹁呯悍绾风炕璇戞剰澶у埄鍜 娉 鍥藉鏈 銆佹枃 瀛 鍚嶈憲 骞 鑷钁 杩 ,浠ユ墭椹柉 路 鑾皵锛1477锝1535)鐨勩婁箤鎵橀偊銆嬫渶鏈変环鍊 .鑻卞浗鏂囪壓澶嶅叴鏂囧鏈绐佸嚭鐨勬槸璇楁瓕鍜屾垙鍓 .瑗 寰 灏( 1554锝1586 )鐨勫崄鍥涜璇椼佹柉瀹惧鐨勩婁粰鍚...
  • 鑻卞浗鏂囪壓澶嶅叴鍏磋捣鍘熷洜鍙戝睍鑴夌粶,浠h〃浜虹墿?
    绛旓細1.濞佸粔路鑾庡+姣斾簹锛1564骞-1616骞达級锛氳瑾変负鑻卞浗鏂囧鍙蹭笂鏈浼熷ぇ鐨勬垙鍓у鍜岃瘲浜轰箣涓锛屼粬鐨勪綔鍝佹兜鐩栦簡鍚勪釜棰樻潗锛屽寘鎷巻鍙插墽銆佹偛鍓с佸枩鍓х瓑锛屽銆婂搱濮嗛浄鐗广嬨併婄綏瀵嗘涓庢湵涓藉彾銆嬬瓑銆2.寮楁湕瑗挎柉路鍩规牴锛1561骞-1626骞达級锛氳瑾変负鑻卞浗鏂囪壓澶嶅叴鏃舵湡鏈閲嶈鐨勬暎鏂囧鍜屽摬瀛﹀涔嬩竴锛屼粬鐨勪綔鍝佸寘鎷垙鍓с佽鏂囧拰绉戝...
  • 鑻卞浗鏄粈涔堟椂鍊欏紑濮鏂囪壓澶嶅叴鐨
    绛旓細浠1485骞撮兘閾庣帇鏈濈殑寤虹珛鍒1642骞寸殑璧勪骇闃剁骇闈╁懡,鏄嫳鍥界殑鏂囪壓澶嶅叴鏃舵湡.
  • 鑻卞浗鏂囧鍙叉鎷
    绛旓細鍒樻焺鍠勭殑閭f湰銆婅嫳鍥芥枃瀛﹀彶銆嬩笂璇,缁村鍒╀簹鏃舵湡鏄嫳鍥鐜板疄涓讳箟灏忚鐨勫穮宄版椂鏈,浠h〃浜虹墿灏辨槸鐙勬洿鏂,鑰屽綋鏃惰嫳鍥戒箣鎵浠ユ巰璧风幇瀹炰富涔夐娼,鍒欐槸鍥犱负姝ゅ墠鐨18涓栫邯鍒19涓栫邯鍒濇湡,娴极涓讳箟椋庨潯鑻卞浗,闆幈,娴庢厛绛変汉鐨勮瘲姝岄鑺遍洩鏈,璁╀汉涓鏃跺繕鍗翠簡鐜板疄,浣嗛殢鐫娴极瑜幓,浜轰滑鍙堥噸褰掔幇瀹,浜庢槸鐙勬洿鏂瓑浜虹殑鐜板疄涓讳箟浣滃搧,濡傘婇浘閮藉鍎裤,...
  • 鑻卞浗鏂囪壓澶嶅叴涓昏瀹d紶浠涔堜簨鎯?
    绛旓細鑻卞浗鏂囪壓澶嶅叴鏄浠15涓栫邯涓湡鍒17涓栫邯鍒濈殑涓娈鏃舵湡锛屽畠鍙楀埌浜嗘剰澶у埄鏂囪壓澶嶅叴鐨褰卞搷锛屼篃鍙嶆槧浜嗚嫳鍥界ぞ浼氱殑鍙樺寲銆傝嫳鍥芥枃鑹哄鍏翠富瑕佸浼犱簡浜烘枃涓讳箟鐨勬濇兂锛屽嵆閲嶈浜虹殑浠峰笺佸皧閲嶄汉鐨勮嚜鐢便佽拷姹備汉鐨勫畬鍠勫拰骞哥銆傚湪鑹烘湳鍜屾枃瀛︽柟闈紝鑻卞浗鏂囪壓澶嶅叴寮鸿皟瀵瑰彜甯岃厞缃楅┈鏂囧寲鐨勭爺绌跺拰鍊熼壌锛岃涓鸿繖浜涘彜浠f枃鍖栦唬琛ㄤ簡浜虹被鏅烘収鍜...
  • 鎬!!!璋佽兘缁欐垜璁蹭笅鑻卞浗闊充箰鍙戝睍鍙
    绛旓細鏂囪壓澶嶅叴鏃舵湡,鑻卞浗娑岀幇鍑轰竴鎵规澃鍑轰綔鏇插,濡傛嘲鍒╂柉(1505-1585),鎷滃皵寰(1543-1623),鍚夋湰鏂(1585-1625)绛.鏂囪壓澶嶅叴鏈湡,浼婅帀鑾庣櫧涓涓栨椂(1558-1603),鑻卞浗鍥藉娍榧庣洓.鏂囪壓涓婃湁鑾庡+姣斾簹,鎬濇兂涓婃湁寮楁湕瑗挎柉.鍩规牴.闊充箰涓,鐗ф瓕(madrigal)浣滆(濡俉eelkes, Morley, Gibbons)涓庡讥鎾掓洸(mass)浣滆(濡侭yrd, Tarverner)閮藉緢鏈夊悕....
  • 扩展阅读:英国欠中国多少钱债务 ... 英国kcl大学世界排名 ... 英国的10个著名景点 ... 中国打得过英国吗 ... 美国为什么不敢惹英国 ... 美国为啥不欺负英国 ... 为什么香港人不恨英国 ... 英国为何不吞并爱尔兰 ... 英国首相换的太频繁了 ...

    本站交流只代表网友个人观点,与本站立场无关
    欢迎反馈与建议,请联系电邮
    2024© 车视网