飞屋环游记y英文简介

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Carl Fredrickson, a 78-year-old balloon salesman, loved adventure stories as a child and wanted to be a great explorer.

When he was a child, he met Ellie, a girl with the same dream, and they grew up together and married until they were old. Carl and his wife Ellie share a common desire to explore the lost Paradise Falls in South America.

However, the death of his wife made the original not good at speaking Carl become eccentric, more withdrawn up.

At this time, the government plans to rebuild the house where Carl lives, and He doesn't want to leave the house where he has fond memories of his wife.

Just as the government was about to send him to a nursing home, he decided to fulfill his and his wife's lifelong dream.

He did not plan to go alone, however, but with his house, for Carl had tied thousands of colorful hydrogen balloons to the roof.
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The film selected the elderly, children and dogs as three elements that symbolize peace and purity in any cultural background, and designed them an adventure that has nothing to do with big cities and modernization and is close to fairy tales.

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In fact, the theme of the film does not have much breakthrough. The loneliness of city people, their persistence in dreams and their love for nature.
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Carl is an old man with a strange temper and a child as fat as a ball, ronaldinho, looks silly. The main line of " Flying House" is not complicated, but it has its own unique place.
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For example, it took nearly 20 minutes at the beginning of the film to describe how Carl and Ellie got to know each other, fell in love with each other and stayed together until they reached old age.
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Except for the childhood when Ellie and Carl showed their personalities, there was almost no dialogue, that is, they were so close to perfect " the process of accompanying you to grow old slowly" that emotions came silently without words stirring up.
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However, the creator did not change a place with one shot. This seemingly unrelated memory became Carl's biggest motivation to create a flying house and even reshape himself, and repeatedly pushed forward the plot transition at several key points.
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The main character's design also has small surprises. Carl is not a kind-hearted grandfather. He is somewhat eccentric and violent in order to protect his wife's belongings.
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The child ronaldinho is as fat as a ball. he looks silly and talks a lot of nonsense. these details, which contradict the conservative aesthetic view, have repeatedly erupted into comedy sparks.
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in addition, Pixar's striking supporting role continues to explode into comedy skills. the design of the talking dog group best reflects Pixar's small ingenuity.
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A feisty septuagenarian teams with a fearless wilderness ranger to do battle with a vicious band of beasts and villains in this computer-animated adventure scripted by Pixar veteran Bob Peterson and co-directed by Peterson and Monsters, Inc. director Peter Docter. Carl Fredricksen is a 78-year-old balloon salesman. His entire life, Carl has longed to wander the wilds of South Africa. Then, one day, the irascible senior citizen shocked his neighbors by tying thousands of balloons to his home and finally taking flight. But Carl isn't alone on his once-in-a-lifetime journey, because stowed away on his front porch is an excitable eight-year-old Wilderness Explorer named Russell. Later, as the house touches down on the world's second largest continent, Carl and his unlikely traveling companion step outside to discover that not only is their new front lawn considerably larger, but that the predators therein are much more ferocious than anything they ever faced back home。

UP, Pixar's latest animated feature, is just delightful. But how do you go about extolling the movie's virtues without giving away its surprises? Like the kid at the beginning of the movie, you don't try to conquer the immovable force; you work around it.

The one clue I can give away – because it's the movie's heavily hyped premise – is that Carl Fredrickson, a gruffy old widower (voiced with gruffy old charm by Ed Asner), miraculously inflates enough balloons to use his house as an aircraft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned kid named Russell.

I'll also mention a couple of other items that can gauge your potential interest in the movie. One is a gag that is a take-off on a famous painting – perhaps too inside of an inside joke, but typical of Pixar's cheery attempts to appeal to viewers of all ages.

Also, part of the plot involves Carl's long-held wish to meet a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). This is another in-joke that's even vaguer than the first one. Cartoon historians know that Walt Disney started in the cartoon biz by creating Oswald the Rabbit for producer Charles Mintz, who then greedily stole the rights to Disney's creation. This gives you a pretty good idea where the ostensible hero Muntz stands in the scheme of things.

Beyond that, I can only offer you some enticing clues about the characters. There's a dog who's the leader of his pack and in menacing beyond measure, until he opens his mouth and gets one of the movie's biggest laughs. There's a huge, awkward bird that is a big laugh-getter at first. Then she becomes a real enough character that – at least in the audience I was in – when she's injured, she elicits screams of fright worthy of Bambi's late mother.

There's surprising, heartfelt emotion, vivid imagery (you can almost touch the landscapes and skies), and a music score by Michael Giacchino that's practically a character in the movie – particularly in a thoughtful montage that takes Carl from childhood to widowhood.

There aren't many (or at least not enough) live-action movies that are engrossing as this cartoon. Pixar Studios has gotten to be one of those movie icons that shouldn't even have to deliver a premise to get funded anymore. The moneymen should just shut up, hand over the money, and trust they'll get a product that will appeal to everyone.

UP is only the second Pixar feature to get a PG rating, only for mildly intense imagery and action – nothing off-color in the least. Again, if you can handle "Bambi," this film should be a breeze.

A feisty septuagenarian teams with a fearless wilderness ranger to do battle with a vicious band of beasts and villains in this computer-animated adventure scripted by Pixar veteran Bob Peterson and co-directed by Peterson and Monsters, Inc. director Peter Docter. Carl Fredricksen is a 78-year-old balloon salesman. His entire life, Carl has longed to wander the wilds of South Africa. Then, one day, the irascible senior citizen shocked his neighbors by tying thousands of balloons to his home and finally taking flight. But Carl isn't alone on his once-in-a-lifetime journey, because stowed away on his front porch is an excitable eight-year-old Wilderness Explorer named Russell. Later, as the house touches down on the world's second largest continent, Carl and his unlikely traveling companion step outside to discover that not only is their new front lawn considerably larger, but that the predators therein are much more ferocious than anything they ever faced back home.

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    绛旓細chattering Elle take the house when the vane atop the joystick, the whole house as a big spaceship, trying to persuade the bewildered Karl planned to join her, sitting "Flying House "adventure. Of course, the two children did not able to fly, but fell down. But this Meet Car...
  • 椋炲眿鐜父璁扮畝浠嬭嫳鏂(鍗佷簲鍙ヤ互鍐)
    绛旓細Carl has longed to wander the wilds of South Africa. Then, one day, the irascible senior citizen shocked his neighbors by tying thousands of balloons to his home and finally taking flight. But Carl isn't alone on his once-in-a-lifetime journey, because stowed away on his fron...
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    绛旓細he and his house fly away. However he has a stowaway aboard. An 8 year old boy named Russell, who's tryi ng to get an Assisting the Elderly badge. Together, they embark on an adventure, where they encounter talking dogs, ane vil villain and a rare bird named Kevin.
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    绛旓細Up is a slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carl's life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands...
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