飞屋环游记英文简介 飞屋环游记的英文简介!急!

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Carl Fredrickson, a 78-year-old balloon salesman, loved adventure stories as a child and wanted to be a great explorer.

When he was a child, he met Ellie, a girl with the same dream, and they grew up together and married until they were old. Carl and his wife Ellie share a common desire to explore the lost Paradise Falls in South America.

However, the death of his wife made the original not good at speaking Carl become eccentric, more withdrawn up.

At this time, the government plans to rebuild the house where Carl lives, and He doesn't want to leave the house where he has fond memories of his wife.

Just as the government was about to send him to a nursing home, he decided to fulfill his and his wife's lifelong dream.

He did not plan to go alone, however, but with his house, for Carl had tied thousands of colorful hydrogen balloons to the roof.
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The film selected the elderly, children and dogs as three elements that symbolize peace and purity in any cultural background, and designed them an adventure that has nothing to do with big cities and modernization and is close to fairy tales.

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In fact, the theme of the film does not have much breakthrough. The loneliness of city people, their persistence in dreams and their love for nature.
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Carl is an old man with a strange temper and a child as fat as a ball, ronaldinho, looks silly. The main line of " Flying House" is not complicated, but it has its own unique place.
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For example, it took nearly 20 minutes at the beginning of the film to describe how Carl and Ellie got to know each other, fell in love with each other and stayed together until they reached old age.
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Except for the childhood when Ellie and Carl showed their personalities, there was almost no dialogue, that is, they were so close to perfect " the process of accompanying you to grow old slowly" that emotions came silently without words stirring up.
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However, the creator did not change a place with one shot. This seemingly unrelated memory became Carl's biggest motivation to create a flying house and even reshape himself, and repeatedly pushed forward the plot transition at several key points.
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The main character's design also has small surprises. Carl is not a kind-hearted grandfather. He is somewhat eccentric and violent in order to protect his wife's belongings.
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The child ronaldinho is as fat as a ball. he looks silly and talks a lot of nonsense. these details, which contradict the conservative aesthetic view, have repeatedly erupted into comedy sparks.
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in addition, Pixar's striking supporting role continues to explode into comedy skills. the design of the talking dog group best reflects Pixar's small ingenuity.
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  暑假就是大片不断上演的黄金时段。《飞屋环游记》很好看很感人,也推荐大家去看。

  中文简介:影片挑选了老人、儿童和狗狗这三种无论放在任何文化背景下都象征着平和与纯洁的元素,再给他们设计了一场与大城市、现代化无关的、接近童话的冒险;影片主题其实并没有太多突破,城市人的孤独感、对梦想需要执着、对大自然需要爱护,。
  卡尔是个有着怪脾气老头,胖得像球一样小孩小罗看着又傻乎乎。《飞屋》主线并不复杂,但起承转合有自己独到的地方,比如,影片开头用了近20分钟来记述卡尔和爱丽是如何相识、相爱、相守到老的过程,除了表现爱丽和卡尔个性的童年时期,几乎全无对白,就是那样接近完美的“陪着你慢慢变老的过程”,不需要言语煽动,情绪就无声无息地上来了。而创作者没有打一枪换一个地方,这段看似与冒险过程无关的回忆,成为了卡尔制造飞屋、甚至重塑自我的最大动力,也在几个关键节点反复用力推进情节转折。主角的设计也有小惊喜,卡尔不是慈眉善目的老爷爷,他多少有些怪脾气,为了保护爱妻遗物还会有暴力倾向,小孩小罗胖得像球一样,看着傻乎乎,废话还很多,这些与保守的审美观有矛盾的细节一再爆发出喜剧火花,另外,皮克斯招牌的抢眼配角继续爆发搞笑功力,会说话的狗这个族群的设计最能体现皮克斯的小机灵。

  英文影评:
  UP, Pixar's latest animated feature, is just delightful. But how do you go about extolling the movie's virtues without giving away its surprises? Like the kid at the beginning of the movie, you don't try to conquer the immovable force; you work around it.

  The one clue I can give away – because it's the movie's heavily hyped premise – is that Carl Fredrickson, a gruffy old widower (voiced with gruffy old charm by Ed Asner), miraculously inflates enough balloons to use his house as an aircraft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned kid named Russell.

  I'll also mention a couple of other items that can gauge your potential interest in the movie. One is a gag that is a take-off on a famous painting – perhaps too inside of an inside joke, but typical of Pixar's cheery attempts to appeal to viewers of all ages.

  Also, part of the plot involves Carl's long-held wish to meet a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). This is another in-joke that's even vaguer than the first one. Cartoon historians know that Walt Disney started in the cartoon biz by creating Oswald the Rabbit for producer Charles Mintz, who then greedily stole the rights to Disney's creation. This gives you a pretty good idea where the ostensible hero Muntz stands in the scheme of things.

  Beyond that, I can only offer you some enticing clues about the characters. There's a dog who's the leader of his pack and in menacing beyond measure, until he opens his mouth and gets one of the movie's biggest laughs. There's a huge, awkward bird that is a big laugh-getter at first. Then she becomes a real enough character that – at least in the audience I was in – when she's injured, she elicits screams of fright worthy of Bambi's late mother.

  There's surprising, heartfelt emotion, vivid imagery (you can almost touch the landscapes and skies), and a music score by Michael Giacchino that's practically a character in the movie – particularly in a thoughtful montage that takes Carl from childhood to widowhood.

  There aren't many (or at least not enough) live-action movies that are engrossing as this cartoon. Pixar Studios has gotten to be one of those movie icons that shouldn't even have to deliver a premise to get funded anymore. The moneymen should just shut up, hand over the money, and trust they'll get a product that will appeal to everyone.

  UP is only the second Pixar feature to get a PG rating, only for mildly intense imagery and action – nothing off-color in the least. Again, if you can handle "Bambi," this film should be a breeze.

有人们的爱围绕着,有梦想要去实现,事实上,幸福一直都很简单。因为爱,Eille将他的房子充满气球,来实现他们的梦想。自私,顽固,无情,但当一个男孩出现时这些都改变了。Eille感受到了照顾他人和帮助他人这种不同的爱。即使房子失去了,但这份爱永存。

UP, Pixar's latest animated feature, is just delightful. But how do you go about extolling the movie's virtues without giving away its surprises? Like the kid at the beginning of the movie, you don't try to conquer the immovable force; you work around it.

The one clue I can give away – because it's the movie's heavily hyped premise – is that Carl Fredrickson, a gruffy old widower (voiced with gruffy old charm by Ed Asner), miraculously inflates enough balloons to use his house as an aircraft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned kid named Russell.

I'll also mention a couple of other items that can gauge your potential interest in the movie. One is a gag that is a take-off on a famous painting – perhaps too inside of an inside joke, but typical of Pixar's cheery attempts to appeal to viewers of all ages.

Also, part of the plot involves Carl's long-held wish to meet a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). This is another in-joke that's even vaguer than the first one. Cartoon historians know that Walt Disney started in the cartoon biz by creating Oswald the Rabbit for producer Charles Mintz, who then greedily stole the rights to Disney's creation. This gives you a pretty good idea where the ostensible hero Muntz stands in the scheme of things.

Beyond that, I can only offer you some enticing clues about the characters. There's a dog who's the leader of his pack and in menacing beyond measure, until he opens his mouth and gets one of the movie's biggest laughs. There's a huge, awkward bird that is a big laugh-getter at first. Then she becomes a real enough character that – at least in the audience I was in – when she's injured, she elicits screams of fright worthy of Bambi's late mother.

There's surprising, heartfelt emotion, vivid imagery (you can almost touch the landscapes and skies), and a music score by Michael Giacchino that's practically a character in the movie – particularly in a thoughtful montage that takes Carl from childhood to widowhood.

There aren't many (or at least not enough) live-action movies that are engrossing as this cartoon. Pixar Studios has gotten to be one of those movie icons that shouldn't even have to deliver a premise to get funded anymore. The moneymen should just shut up, hand over the money, and trust they'll get a product that will appeal to everyone.

UP is only the second Pixar feature to get a PG rating, only for mildly intense imagery and action – nothing off-color in the least. Again, if you can handle "Bambi," this film should be a breeze.

A
feisty
septuagenarian
teams
with
a
fearless
wilderness
ranger
to
do
battle
with
a
vicious
band
of
beasts
and
villains
in
this
computer-animated
adventure
scripted
by
Pixar
veteran
Bob
Peterson
and
co-directed
by
Peterson
and
Monsters,
Inc.
director
Peter
Docter.
Carl
Fredricksen
is
a
78-year-old
balloon
salesman.
His
entire
life,
Carl
has
longed
to
wander
the
wilds
of
South
Africa.
Then,
one
day,
the
irascible
senior
citizen
shocked
his
neighbors
by
tying
thousands
of
balloons
to
his
home
and
finally
taking
flight.
But
Carl
isn't
alone
on
his
once-in-a-lifetime
journey,
because
stowed
away
on
his
front
porch
is
an
excitable
eight-year-old
Wilderness
Explorer
named
Russell.
Later,
as
the
house
touches
down
on
the
world's
second
largest
continent,
Carl
and
his
unlikely
traveling
companion
step
outside
to
discover
that
not
only
is
their
new
front
lawn
considerably
larger,
but
that
the
predators
therein
are
much
more
ferocious
than
anything
they
ever
faced
back
home。

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