英语介绍旗袍 急急~用英语介绍旗袍

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CHINESE CHEONGSAM (QIPAO)
The cheongsam is a female dress with distinctive Chinese features and enjoys a growing popularity in the international world of high fashion.
The name "cheongsam," meaning simply "long dress," entered the English vocabulary from the dialect of China's Guangdong Province (Cantonese). In other parts of the country including Beijing, however, it is known as "qipao", which has a history behind it.

When the early Manchu rulers came to China proper, they organized certain people, mainly Manchus, into "banners" (qi) and called them "banner people" (qiren), which then became loosely the name of all Manchus. The Manchu women wore normally a one-piece dress which, likewise, came to be called "qipao" or "banner dress." Although the 1911 Revolution toppled the rule of the Qing (Manchu) Dynasty, the female dress survived the political change and, with later improvements, has become the traditional dress for Chinese women.

Easy to slip on and comfortable to wear, the cheongsam fits well the female Chinese figure. Its neck is high, collar closed, and its sleeves may be either short, medium or full length, depending on season and taste. The dress is buttoned on the right side, with a loose chest, a fitting waist, and slits up from the sides, all of which combine to set off the beauty of the female shape.

The cheongsam is not too complicated to make. Nor does it call for too much material, for there are no accessories like belts, scarves, sashes or frills to go with it.

Another beauty of the cheongsam is that, made of different materials and to varying lengths, they can be worn either on casual or formal occasions. In either case, it creates an impression of simple and quiet charm, elegance and neatness. No wonder it is so much liked by women not only of China but of foreign countries as well.

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Qipao (Ch'ipau) is one of the most typical, traditional costumes for Chinese women. Also known as cheongsam, it is like a wonderful flower in the Chinese colorful fashion scene because of its particular charm.

In the early 17th century in North China, Nurhachi, a great political and military strategist, unified the various Nuzhen tribes and set up the Eight Banner System. Later he led his troops into Beijing and overthrew the Ming Dynasty. Over the years, a collarless tube-shaped gown was developed, which was worn by men and women. This is the embryo of the Qipao. It became popular among the royal palace of the Qing Dynasty and the mansions of the Manchu nobility. At that time, it was loosely fitted and long enough to reach the insteps. Usually it was made of silk, and embroidered, with broad laces trimmed at the collar, sleeves and edges. The dress empresses of past dynasties wore them. Their style of dress was regarded as the highest of standards for Chinese women for several thousand years.

The only medium to display the elegance of a human body is an elegant costume. Whatever costume a woman wears, in addition to magnificence and nobility, she must have a thirst for elegance or beauty. Perhaps that's the reason why Qipao was born.

In the past, the collar of the costume was made high and tight-fitting to keep warm. Qipao has incorporated this feature, not just for preventing coldness but also for beauty. The collar of Qipao generally takes the shape of a semicircle, its right and left sides being symmetrical, flattering the soft and slender neck of a woman. The collar of Qipao is meticulously made, especially the buttonhole loop on the collar, which serves as the finishing touch. We can't help but admire the designers' artistic originality. The design of the front of Qipao depicts the maturity of women properly, reminding people of the line of a Chinese poem 'A garden full of the beauty of spring can not be prevented from being enjoyed.'

Qipao generally has two big slits at either side of the hem for convenient movement and display of the slender legs of women. Unlike a short-length skirt, the slits of Qipao expose a woman's legs indistinctly when she walks, as if there was a blurred emotional appeal of 'enjoying flowers in mist.'

Qipaos can display Chinese women's modesty, softness and beauty. Like Chinese women's temperament, Qipaos are elegant and gentle.

Like other costumes, the beauty of Qipao comes first. Simplicity is one of its features from the collar, loop, chest, waist and hips to the lower hem, and a Qipao almost varies with a woman's figure. It not only lays stress on the natural beauty of a female figure, but also makes women's legs appear more slender. Mature women in Qipaos can display their graceful refined manner.

Besides its simplicity, Qipao provides designers with vast, creative space: some short, some long, with low, high, or even no collars at all.

Practicality always goes with beauty. Qipaos are worn in both urban and rural areas, its long-standing elegance and serenity making wearers fascinating.

When wearing Qipao, women should pay attention to the match as a whole; particularly middle-aged or elderly women should do so. Hairstyles, jewelry, socks and shoes should match Qipaos properly in color and design.

Today, with the development of the market economy in China, designs or styles of fashions are so dazzling as the stars that the eye cannot take them all in. As a result, people are often at a loss what to choose when facing the vast sea of fashions. On the other hand, it is just a golden opportunity for Chinese national costumes to regain their popularity. Fashion culture has become a point of intersection of social culture, reflecting economic developments, social progress and educational level. It represents people's spirit, living standards and aspirations towards beauty.

翻译如下
旗袍
清统一中国,也统一全国服饰,男人穿长袍马褂,女人穿旗袍。到了上世纪30年代初,旗袍已经极为流行了。旗袍正以浓郁的民族风格,体现了中华民族传统的服饰美。棉制旗袍很受欢迎,尤其是那些具有中国传统图案和文字的式样更受欢迎。至二十年代末,因受欧美服装的影响,旗袍的样式也有了明显的改变。旗袍的袖口便逐渐收小,而且绣边也不像之前那么宽了。如今中山装和旗袍已经成为我国男女服装的代表。
The Qing Dynasty unified China, and unified the nationwide costume as well. By the early 19306, Chi-pao had been very popular. Cheongsam features strong national flavor and embodies beauty of Chinese traditional costume. The cotton cheongsams are selling well, especially the ones with the traditional Chinese patterns and characters.At the end of20s, with the influenced of occident, the style of cheongsam changed obviously. The cuff was reduced gradually, and embroidered border was not as broad as the previous one. Nowadays, Zhongshan Suit and Qipao have become the representatives of Chinese men and women clothing.

Qipao (Ch'ipau) is one of the most typical, traditional costumes for Chinese women. Also known as cheongsam, it is like a wonderful flower in the Chinese colorful fashion scene because of its particular charm.

In the early 17th century in North China, Nurhachi, a great political and military strategist, unified the various Nuzhen tribes and set up the Eight Banner System. Later he led his troops into Beijing and overthrew the Ming Dynasty. Over the years, a collarless tube-shaped gown was developed, which was worn by men and women. This is the embryo of the Qipao. It became popular among the royal palace of the Qing Dynasty and the mansions of the Manchu nobility. At that time, it was loosely fitted and long enough to reach the insteps. Usually it was made of silk, and embroidered, with broad laces trimmed at the collar, sleeves and edges. The dress empresses of past dynasties wore them. Their style of dress was regarded as the highest of standards for Chinese women for several thousand years.

The only medium to display the elegance of a human body is an elegant costume. Whatever costume a woman wears, in addition to magnificence and nobility, she must have a thirst for elegance or beauty. Perhaps that's the reason why Qipao was born.

In the past, the collar of the costume was made high and tight-fitting to keep warm. Qipao has incorporated this feature, not just for preventing coldness but also for beauty. The collar of Qipao generally takes the shape of a semicircle, its right and left sides being symmetrical, flattering the soft and slender neck of a woman. The collar of Qipao is meticulously made, especially the buttonhole loop on the collar, which serves as the finishing touch. We can't help but admire the designers' artistic originality. The design of the front of Qipao depicts the maturity of women properly, reminding people of the line of a Chinese poem 'A garden full of the beauty of spring can not be prevented from being enjoyed.'

Qipao generally has two big slits at either side of the hem for convenient movement and display of the slender legs of women. Unlike a short-length skirt, the slits of Qipao expose a woman's legs indistinctly when she walks, as if there was a blurred emotional appeal of 'enjoying flowers in mist.'

Qipaos can display Chinese women's modesty, softness and beauty. Like Chinese women's temperament, Qipaos are elegant and gentle.

Like other costumes, the beauty of Qipao comes first. Simplicity is one of its features from the collar, loop, chest, waist and hips to the lower hem, and a Qipao almost varies with a woman's figure. It not only lays stress on the natural beauty of a female figure, but also makes women's legs appear more slender. Mature women in Qipaos can display their graceful refined manner.

Besides its simplicity, Qipao provides designers with vast, creative space: some short, some long, with low, high, or even no collars at all.

Practicality always goes with beauty. Qipaos are worn in both urban and rural areas, its long-standing elegance and serenity making wearers fascinating.

When wearing Qipao, women should pay attention to the match as a whole; particularly middle-aged or elderly women should do so. Hairstyles, jewelry, socks and shoes should match Qipaos properly in color and design.

Today, with the development of the market economy in China, designs or styles of fashions are so dazzling as the stars that the eye cannot take them all in. As a result, people are often at a loss what to choose when facing the vast sea of fashions. On the other hand, it is just a golden opportunity for Chinese national costumes to regain their popularity. Fashion culture has become a point of intersection of social culture, reflecting economic developments, social progress and educational level. It represents people's spirit, living standards and aspirations towards beauty.

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